Finished the Remunerative Project in progress.
Submitted it with note attesting to my deep, deep, deep ❤️LUV❤️ for client, footnoted to add my deep, deep, deep ❤️LUV❤️ for continuing revenue—so, like, what are your content needs for the coming year?
Our contract stipulates the terms of the work I do for them but not the volume of the work I do for them.
Got a note back attesting to their deep, deep, deep ❤️LUV❤️ for me, plus later in the day, their main project manager hit me up for another three projects.
So, you know. Now we’re sitting in a tree! K-I-S-S-I-N-G!
###
Other than that, I did very little of note.
I started a new Sims dynasty that consists of three moody teenagers and two parents who are annoyingly in ❤️LUV❤️ and keep sneaking off to the master bedroom to have hot, porny sex much to the consternation of the moody teenagers. They live on a ranch and rescue horses and other animals from abusive homes.
In D.C., I’d finished Dennis Lehane’s newest novel, Small Mercies, which had its moments but is basically a kind of C+ female Die Hard.
So, yesterday, I reread Mystic River, Lehane’s masterpiece. It still stands up as a really first-rate, excellently crafted novel.
I’m trying to trick myself into finishing the current short story in progress. Feeding myself pep talks about how it’s psychologically healthier to create than to consume.
Trouble is I don’t know whether I actually believe that.
###
It’s actually rather warm today—50° and the sun is struggling to break through the gloom—so shortly, I’m gonna venture out tromping.
And then I’m gonna go eat stale Raisinets and watch Napoleon on the big screen.
Napoleon will probably be Ridley Scott’s last movie—I mean, the guy is 85, right?
I try to see all Ridley Scott’s films on the big screen. It would be hard to convey to people who grew up with them how groundbreaking films like Blade Runner, Alien, and Thelma and Louise were when they first came out. Napoleon’s reviews are all over the place—some staggeringly laudatory but more snooty and derisive. Which is generally the hallmark of an interesting movie.
Submitted it with note attesting to my deep, deep, deep ❤️LUV❤️ for client, footnoted to add my deep, deep, deep ❤️LUV❤️ for continuing revenue—so, like, what are your content needs for the coming year?
Our contract stipulates the terms of the work I do for them but not the volume of the work I do for them.
Got a note back attesting to their deep, deep, deep ❤️LUV❤️ for me, plus later in the day, their main project manager hit me up for another three projects.
So, you know. Now we’re sitting in a tree! K-I-S-S-I-N-G!
###
Other than that, I did very little of note.
I started a new Sims dynasty that consists of three moody teenagers and two parents who are annoyingly in ❤️LUV❤️ and keep sneaking off to the master bedroom to have hot, porny sex much to the consternation of the moody teenagers. They live on a ranch and rescue horses and other animals from abusive homes.
In D.C., I’d finished Dennis Lehane’s newest novel, Small Mercies, which had its moments but is basically a kind of C+ female Die Hard.
So, yesterday, I reread Mystic River, Lehane’s masterpiece. It still stands up as a really first-rate, excellently crafted novel.
I’m trying to trick myself into finishing the current short story in progress. Feeding myself pep talks about how it’s psychologically healthier to create than to consume.
Trouble is I don’t know whether I actually believe that.
###
It’s actually rather warm today—50° and the sun is struggling to break through the gloom—so shortly, I’m gonna venture out tromping.
And then I’m gonna go eat stale Raisinets and watch Napoleon on the big screen.
Napoleon will probably be Ridley Scott’s last movie—I mean, the guy is 85, right?
I try to see all Ridley Scott’s films on the big screen. It would be hard to convey to people who grew up with them how groundbreaking films like Blade Runner, Alien, and Thelma and Louise were when they first came out. Napoleon’s reviews are all over the place—some staggeringly laudatory but more snooty and derisive. Which is generally the hallmark of an interesting movie.











