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I slept eight hours last night.

Eight hours!

Now I'm thinking the shoulder pain that was keeping me awake was not a statin side effect at all, but some kind of reaction to hyperextension that happened when I tried to grab something at a weird angle while I was lying down.

Anyway, it's resolving.

###

And I wrote 500 words on the opening of Chapter 7.

Five hundred words!

I'm thinking the deal with Daria is that she deliberately mistranslates testimony in a court trial, although her exact motivation and the details of that court trial are hazy at the moment.

The voice that's emerging is quite distinct from Grazia's voice. More formal and reflective. Cooler. More analytical.

So, that's a good thing, too.

###

Meanwhile, we are back at war with Eastasia.

What am I talking about?

We have always been at war with Eastasia!

It is impossible to have any sympathy for a murderous mullah who executed anywhere between 7,000 to 40,000 Iranian protesters between January 8th and January 10th of this year.

Nevertheless, I am completely opposed to American interference in what's essentially another sovereign nation's civil war, and I don't want to spend $5 for a gallon of gas.

Plus, of course, the Iran War is a classic wag-the-dog maneuver designed to distract the American public from the fact that the Department of Justice redacted all mentions of Trump's name from the Epstein files.

Disinformation aplenty is aflowin'. But my favorite factoid is that the Trump administration, despite telling Americans stranded in Dubai and Bahrain, Get out, get out, get out! Get out NOW, is refusing to provide them with any State Separtment-mediated assistance. That's my boy, The Donald!

I can't wait for the flood of influencer TikToks: Here's how to escape from Dubai! It's eZeeee! And you can do it, too!

Self-Care

Mar. 3rd, 2026 01:28 pm
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When I mentioned to Ichabod that I was scheduled to work at Schlock every day between now and April 15, he told me, "You can't do that. That's absolutely insane," and began talking to me about self-care.

He's wrong: I absolutely can do that.

But he's also right: It is insane.

Thing is "self-care" is kind of an alien concept to me. New Age fluffle. I mean, my idea of self-care involves eating a gallon of coffee ice cream and vegging out for 12 hours straight to Season 3 of The Gilmore Girls. Which any therapist worth his/her salt would characterize as "self-destruction."

But when I woke up this morning, I absolutely did not want to go into the office. Even before it began to snow! So I called in sick.

That's self-care, right?

I was surprised to feel a twinge of bona fide guilt when I called in. Because Schlock doesn't care if I show up in their office or not. To Schlock, I am simply another ass in an office chair. I have no actual supervisor.

I make my life harder than it needs to be.

###

The work itself is not difficult.

I actually enjoy doing taxes. Doing taxes is not so very different from reading someone's tarot cards.

Yesterday, for example, I got to counsel a 75-year-old woman whose 50-year marriage had suddenly fallen apart.

"Has your husband filed yet?" I grilled her.

Her husband, still living in what was the family home, pays property taxes, mortgage interest, etc. The woman had never taken the slightest interest in the family taxes but had some vague notion they had always itemized.

"See, the thing is, if you're married filing separately, you both need to use the same type of deductions," I told her. "So if he itemizes his deductions, you'll have to as well. Except you don't have as much to itemize. So, you'll have a smaller deduction to protect you against tax liability if he files first and itemizes. Whereas if you file first, you can use the standard deduction, which for you is $17,250—"

Is that so hard to understand?

I didn't think so, but she had a hard time following my logic.

She wanted to do was to talk about what an absolute prick her husband was.

And, of course, I wanted to talk about that too! Girlfriend! He did what with his secretary? And she's how old? Does his secretary not understand that Viagra script or no Viagra script, he's essentially recruiting her to change his Depends?

Except talking about the piggish X was not what this woman was paying me to do.

###

Most of the time, though, I do absolutely nothing.

I am getting paid for it!

But sitting in that office day after day puts me in a Mood.

All I am is a drone, I think darkly. Nothing about me is vibrant or interesting. I've led a bleak life, entirely bereft of the intimacies and adventures that characterize other people's lives.

This is making it very hard for me to interact in a positive way with other people right now.

Like on the phone with real-life Daria the other night, I found myself hugely turned off.

She's Anaïs Nin! Everything she says is pretentious and self-serving. By strength of personal magnetism, she has managed to construct a world in which she is forever the consummate objet du desir; it's the one constant in her life: Everybody wants me!

She uses people! She picks them up by the wing! She tells them, You fascinate me! I want to know everything about you!

Then she drops them.

I was consumed with envy!

This is not an accurate assessment of real-life Daria, whom I don't know all that well, but who's never been anything but 100% supportive, open, and affectionate toward me. No, I was projecting my own negative mood onto Daria.

But even understanding that, it was impossible for me to shake the negativity.

Anyway, the real-life Daria biographical details are not enough to center Part II around. Her relationship with Brian turns out to be not so very different than my relationship with Brian. Closer, definitely. More physical: They slept in the same bed when they visited one another. They cuddled. He would spend hours stroking her back, which was one of the single most thrilling physical experiences she could ever remember; she dissolved in the touch of his fingers trailing down her spine.

But their explicitly sexual relationship ended after the first year or so.

Periodically, over the course of the 35-year friendship, they would try to have sex again from time to time.

But it never quite took.

So, I can't use "sex" as the Big Theme in Part II.

I'm gonna have to come up with a whole fresh subtext as well as a plot.

Sigh...
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It was snowing this morning—of course, it was!—while I reviewed my heating expenses for February: $440 for heating oil and $153 to Central Hudson.

That's only half the heating bill for the house.

Fuckin' insane.

Central Hudson needs to be taken over by the State of New York. But I don't know what one can do about the heating oil. Except move to a warmer place.

###

My good deed for yesterday:

One of my clients was a very feisty 87-year old. She appeared primordial to me, like an ancient Baba Yaga, which may have been the racial disparity—she was Black, and I am white—or may have been due to the fact that she'd neglected to put in her dentures.

Anyway, this lady had a Cadillac healthcare plan through the City of New York, her former employer, but Medicare was still taking out $220 a month from her Social Security.

"You might want to look into that," I told her granddaughter. "I mean, it's possible each healthcare provider is providing a different set of services, and she uses both. But it's also possible you're looking at redundant costs and can get an extra $220 a month by getting rid of that Medicare payment."

She's been going to Schlock for 20 years, and I was the first one to point this out to her.

###

In other news, I will be interviewing real-life Daria today after I scamper home from the tax trenches. Here are the questions I've prepared:

1. Can you tell me your five most vivid memories of Mexico?

2. What did it feel like in your body the first weeks after moving from Mexico City to the U.S.—were you more numb, anxious, exhilarated, something else?

3. Is there a specific moment from that first year—at school, in the street, at home—when you realized, “I am not in Mexico anymore,” and what happened?

4. When you think back to meeting Brian in the PD’s office, what are the first three sensory details that come up—what you saw, heard, or felt in your body?

5. What did you think Brian saw in you, and how did that perception change over the years you knew him?

6. How did the relationship move between friendship, mentorship, and sexuality over time, and did those roles ever feel like they were in conflict?

7. Were there specific conversations or arguments with Brian that you feel “made” you—changed how you think about law, justice, or yourself?

8. Did you ever feel a power imbalance because of age, profession, or life experience, and if so, how did you navigate or rationalize it at the time?

9. When you look back now, what do you wish your younger self had known about him—or about you?

10. How did being with Brian interact with your romantic life outside him—did he complicate other relationships, or make them easier to understand?

11. After Brian died, what was the strangest or most unexpected way your grief showed up (a habit, a dream, a physical sensation, a decision you made)?

12. If you had to describe your emotional “role” in Brian’s life in one sentence—as he might have described it—what would that sentence be?

13. When you first realized you were sexually attracted to Brian, what surprised you most about that feeling—his age, his role, your own response, something else?

14. Can you describe your very first sexual encounter with him in terms of mood and pacing—was it slow and negotiated, impulsive, awkward, inevitable?

15. What did Brian do in bed that made you feel particularly seen or desired—not just physically, but as a person?

16. Were there things you only did sexually with Brian and never with anyone else, and what about him made those feel possible or safe?

17. Did the fact that you worked in the same universe (courts, law, defendants) bleed into your erotic life together—role‑play, gallows humor, power dynamics?

18. How did sex with him feel in your body—grounding, explosive, dissociative, comforting, like coming home, like leaving?

19. Was there ever a moment during sex or after where you suddenly felt your age difference very sharply—either in a good way or as a jolt of discomfort?

20. How did your conversations immediately after sex usually go—jokey debrief, political talk, silence, tenderness, scheduling the next time?

21. Did you ever feel like his other lovers were in the bed with you emotionally—comparing, competing, imagining his history—and how did you manage that?

22. Was there ever a specific fight or rupture around sex—jealousy, boundaries, pregnancy scares, STI scares—that you remember as a turning point?

23. When you think of his body now, what are the 2–3 details that come back first (not necessarily erotic—could be scars, smells, textures, nervous habits)?

24. Did you ever notice a difference between “grief sex,” “reassurance sex,” and “just because” sex with him—and if so, how could you tell from the inside?

25. How did your bilingual/trilingual brain show up during sex—were there certain words or dirty talk that had to be in Spanish or French, and if so, why?

26. Did you two have any long‑running sexual jokes or coded phrases—things that would sound innocuous to others but were charged for you?

27. How did you end things physically—was there a clear “last time” you slept together, and did you know it was the last time while it was happening?

28. Looking back, is there anything you regret not doing with him sexually or emotionally—something you were curious about but held back from?

29. Has your body ever surprised you with a grief reaction—arousal at an unexpected reminder of him, or the opposite, sudden numbness with someone new?

30. In your fantasy life now, does he still appear, and if so, does he show up more as a lover, a friend, a ghost, a critic, or something stranger?

31. Imagine you are trying to explain the sexual part of the relationship to a skeptical friend—what is the one argument or image you would use to say, “This wasn’t just another older guy using me; it was this”?

32. How did your relationship to Spanish change after the move—did it feel like a refuge, a secret, a source of shame, a weapon?

33. When did English start to feel like something you could think and feel in, not just translate into, and was there a particular event that marked that shift?

34. Do you experience different “selves” in Spanish, English, and French—if so, how would you describe the personality or emotional color of each language?

35. In simultaneous translation, what does it feel like inside your head—are you ahead of the speaker, chasing them, or hovering in parallel?

36. Can you describe a moment on the job when the emotional weight of what you were translating nearly broke your professional neutrality? What did you do with that feeling?

37. Have you ever made a deliberate choice to soften, sharpen, or slightly alter someone’s words while interpreting because the literal translation felt emotionally or ethically wrong?

38. What does fatigue feel like for you after a long day of simultaneous interpreting—mental fog, physical tension, emotional overload—and how do you come down from that state?

39. Do you ever carry other people’s stories and emotions home with you through their words, and if so, how do you protect or “clean” your own inner voice?
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The chicken gurlZ have started laying!

###

And I am 90% certain that the constant dull ache in my shoulder is a well-known side effect of statins (and the reason why they have such a bad rap) and 10% certain that it is a mysterious cancer that appeared suddenly out of nowhere & will kill me in six months (so I better clean the Patrizia-torium and finish the novel.)

Since it does not seem to be resolving, I will call the cardiologist on Monday.

People with thyroid conditions seem to be particularly prone to statin side effects & I have Hashimoto's. Not even sure I would call the ache pain—it's more a thereness that never goes away, that I'm always conscious of, & that therefore messes with my efforts to lose consciousness (i.e. fall asleep).

###

Meanwhile, I went to a Schlock office every day last week and am on the schedule every day for the next week.

I hesitate to call this "work"—though I am being paid to go into the office. Mostly, I sit there and try to hide the fact that I'm reading Midnight in the Garden of Good & Evil by pretending to do tax case studies. I display dense tracts on the monitors of the computer assigned to me about depreciation & passive income. See? I am studying! I want to be the best little tax preparer you've ever seen!

Sometimes, I answer phones. Sometimes, I make phone calls: Hey, former Schlock client! Don't you want to spend $250 on something it would take you five minutes to do for free-eee-eeee? Sometimes, I do actual tax returns, and those are always fun.

It all reminds me of that time in the first grade when I got busted by my first-grade teacher for reading Tom Sawyer under the table. "Patty! Put that book away and read your primer!" she'd scold.

This is seasonal work. Come April 15, I remind myself, there will be no further call for your services until next January. You are a farmer! Harvest those tax returns while you may!

I make myself as innocuous and invisible as I can. I even let them call me "Pat"! Who gives a shit? I wouldn't recognize most of the other people in these offices if I passed them in the street. What do I care if they recognize me?

###

If I were more gifted at compartmentalization, I'd work on the novel while I'm at the Schlock office.

But doing nothing eight hours a day is exhausting. When I get back to the casa once my shifts are done, all I want to do is throw fuel in my stomach & watch mindless television. So, I'm not writing then.

I'm still working out what I want to do with the next section of the novel, though. Initially, I thought the next section of the novel would be about sex, but ironically, neither real-life Daria nor real-life Flavia was having sex with Brian at the time he died. Of course, what I'm writing is fiction, not real-life.

Anyway, sometime this week, I will be interviewing (and recording!) real-life Daria at some length. Yes, I will be debriefing her about her relationship with Brian. But I also want to know what it felt like to come to the U.S. from Mexico City at age 11, what it feels like to be able to do simultaneous translation, like how do you keep from getting the languages all mixed up in your head?
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UGH. It's snowing again. And I'm gonna have to drive in it.

###

On the bright side, I may have negotiated my way out of a problematic situation with a Remuneration client who has been bawking about paying me half up front. May have, being the operative phrase there.

But that's standard in work-for-hire arrangements, I told him, which is true enough.

Also on the bright side: I slept eight hours last night.

A few days ago, I did something to my back. It was a very weird pain, right between my shoulder blades at the very spot from which my wings would sprout if only I were an angel.

I have no idea what I actually did to produce this pain. And it has partially resolved, but also partially not—now, it's a right-sided ache just below my right scapula with some nerve involvement because I can feel it in my right arm & hand.

It's not heartstoppingly painful.

But when I lie on my right side, it's a dull, steady message from the interior. And I sleep mostly on my right side. So, the ache has been screwing with my sleep. Yesterday, I was absolutely brain-dead but managed to get through the top five items on my To Do List—becawse ya gotta do what ya gotta do. But I didn't enjoy any of it.

###

In Work In Progress news, I tried to start writing Part II but failed to make headway.

For this visit, we'd formulated an agenda, I wrote. Storm King for the Calders, Olana for the Persian arches and views of the Hudson River's tidal inlets (this year blooming with algae). Teilhard de Chardin is buried at the Culinary Institute of America—who knew?—so we were going to pay our respects to the Omega Point and afterwards dine on truffle soup and braised cuisse de canard Bourguignon at the student-staffed French restaurant. Mostly, though, we planned to fuck.

I mean, it's a good cheap laugh, and it sets the stage for chronicling Neal's erotic encounters—but it is not grounded in anything that actually happened: Real-life Daria and real-life Neal did not have a particularly workable sexual relationship.

But since I do want this part of the novel to be erotic, I spent some time last evening reading the rather horrible chick lit writer Emily Henry's rather horrible Funny Story. It was loaded with bad sex scenes! This filled me simultaneously with horror—the sex scenes are baaaaaaaaad—but also hope—because Funny Story was a bestseller, and I could toss off sex scenes like that in my sleep. On the nights I get some.
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It's still snowing, and I don't want to jinx anything, but...

It's looking like we were well outside the bombogenesis perimeter.

Yes, "bombogenesis" is a real word! It refers to a storm where barometric pressure drops by at least 24 millibars in 24 hours. With this particular storm, the barometric pressure dropped a mind-boggling 44 millibars, but it dropped somewhat to the south and east of where I'm located. Which made for some crazy totals over comparatively short distances: Like 15" in Fishkill but only 5" in Poughkeepsie.

We ended up getting around five inches of the Hideous White Stuff here.

###

We expected snow all day yesterday, but it didn't come. Instead, it was just dismal and grey and awful. I went into the office and sat there reading Midnight In the Garden of Good & Evil, which left me with a deep desire to visit Savannah even though the best thing about Midnight In the Garden of Good & Evil is its title.

###

In the evening, Ichabod upset me on the phone by reminding me my housing options would be considerably better if I didn't have pets.

Of course, I know he's right, but the kiskas have more-or-less saved my sanity these last few extremely difficult months. They have functioned effectively as a family for me; they are good company and affectionate in their highly idiosyncratic way. As awful as this place is, I'd rather live here forever than give up my gurlZ.

But I hope it won't come to that.

###

Writing-wise, I am preparing to embark upon the Daria portion of the novel.

Ideally, I would pull this off with a Jennifer-Egan-style switch of the PoV voice. Realistically, I may not be a good enough writer to do this. The important thing here, though, is not to show off my dazzling writerly gifts but to finish the damn thing however best I can.

To that end, I am setting up an interview with real-life Daria.

###

Here is a photograph of real-life Daria:



She's very beautiful, as you can see! Kinda Snow White-ish with that pure white overflip.

What I'm primarily interested in is her sexual relationship with Brian.

Grazia and Neal don't have a sexual relationship, so in the first part of the book, Neal combines the best qualities of a father and a wisecracking teddy bear.

But in the second part of the book, Neal must come across as an erotic god!

Which should be challenging.

I've read my share of porn & erotica over the years. And written it, too. For pay! 😀 My porn was always criticized for "too much story"! I guess the sexual tropes that turn most people on do very little for me; it's always the relationships that drive the sex that make it hot for me. The single most erotic book I ever read was Susannah Moore's In the Cut, wherein a professor of English stumbles into an affair with a homicide detective who drives her mad with desire with a strange little crooking gesture he does with his forefinger.

So, yes, I have to study up on real-life Neal's kinks.

But I also have to figure out what it feels like to be so fluent in three languages (as Daria is) that the languages all swirl together in your brain, and what it feels like to be that seductive—because real-life Daria is oh-so-seductive.

Also, I have to come up with a rescue situation that can play analogously to Grazia's cult rescue. Doesn't have to be as dramatic. But that's a connecting thematic element in each of the three parts of the book: Neal saves each of the women in some way.
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Slipped off into The Zone for many hours last night while hammering away at a climactic scene near the end of Part I in the Work In Progress.

The Zone is a kind of oneness with the act of creation that can best be likened to a benign psychotic episode. You climb so far inside what you're creating that all your critical faculties disappear. Your brain is tracking imaginary events the same way it tracks real (ha, ha, ha!) events! It's wild. It's fun!

But you have no idea whether what you're writing is good or bad.

And it's a kind of mania, so it's physically unhealthy. When you fly that near the sun, your wings can get burned. Last night, for example, I didn't fall asleep till 1 a.m., but I still got up at 6—it's almost impossible for me to sleep in—so I'm feeling quite brain dead right now.

And I still haven't yet dared sneak a peek at what I wrote last night: Neal's rescue of Grazia just before she's about to be waterboarded baptized by spooky apocalypse cult. What if it's terrible, overly melodramatic drivel? It very easily could be.

###

Plus, we're heading into the fifth consecutive day of grey, impenetrable sky and blank white snow. A grey and white world is hard on the eyes. No doubt, that's compounding my addled, sleep-deprived mind set. Right now in this present moment, there's barely anything that's happened to me in my everyday-a-little-bit-longer life that I don't regret in some way. I line my pillows with regret!

My financial situation is in flux. Schlock isn't giving me the hours I want, and the current Remuneration client stopped communicating with me after making the current Remunerative assignment, leading me to wonder whether this isn't some kind of augury of how they're gonna react when I present my invoice. Shitty behavior! Do I ignore it & keep on working, figuring: Of course, they'll pay me! Or do I cut bait now and keep the retainer?

The Patrizia-torium is an utter mess.

And I'm living in a geographic location I dislike, where I have no friends to commune with or even activity partners to hang out with casually. I have plenty of friends, of course, with whom I communicate through phone calls, texts, & email & at some point during each and every one of those phone calls, texts, & emails, both parties invariably lament: I wish we lived closer...

But the only reason I'm not dying of loneliness is that I'm pathologically self-involved, and thus can survive for looooong periods of time entertaining myself.

Maybe that's all resilience really is: a pathological level of self-involvement.

###

I miss Brian.

The fact that he was so supremely self-confident in his choices, and that one of his choices was to love me, made him a grounding force.

Without him, I feel neither grounded nor lovable.
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Twenty-five hundred words into Chapter 6.

Fifteen hundred to go.

I have no idea whether it's any good or not. Fictioneering like this is uncharted territory for me. But writing is definitely engrossing, so if nothing else, the Work In Progress will have gotten me through a brutal winter, relatively psychologically unscathed. Which is a good thing.

###

Ichabod asked me point-blank if I wanted him to start giving me a set monthly amount toward living expenses.

I said, No: "Not right now. We both know the financial burden of my support is going to fall on you at some point in the future because my fixed income from social security & pensions is not enough to support me. But I'd like to delay that moment as long as possible. You work hard for your money, and you deserve to enjoy it. I can work the Rube Goldberg side-hustle gigs for a while longer. I'll know when I can't."

Jeanna asked if I wanted her BF to fly me out to New Mexico some time this summer. I said, Sure. Though it's inconceivable to me that this winter is ever going to end: The landscape is buried beneath seven inches of snow, and the sky is unrelentingly grey & overcast. Temps this week are gonna flirt with 40° but drop again next week. I honestly do not know how humans managed to survive these kinds of living conditions back when they relied on wood-burning stoves for heat and horses for transportation.
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A Fitbit that won't stay charged for more than 16 hours is worse than no Fitbit at all.
Reluctantly, I accepted this yesterday and prepared my Fitbit for its final journey to the lithium-ion battery waste facility. Om Ami Deva Hrih...

Do I need a Fitbit? The damn thing has never accurately measured my activity on account of it straps to my wrist, not my ankle, and when I'm walking fast on a treadmill, I hold on to the side rails, I don't move my arms. I take it as an article of faith that the Fitbit measures my sleep patterns, and that's the bodily function I'm most concerned with because I never feel as though I get enough sleep! But does it really?

Whatevs, there won't be a new Fitbit this month. My share of the heating oil delivery referenced yesterday is an astounding $440. I don't know whether this is due to the Law of Supply & Demand—winter this year is brutally cold; people have been going through a lot more heating oil than they usually do; supplies are short—or whether it represents price gauging. Probably both.

Anyway, there won't be any discretionary income purchases this month.

And probably not next month either.

###

Meanwhile, the Social Security Administration is apparently instructing employees to tell hysterical callers, Suicide is one option.

And then there's this article about a male narcissist cult. Members of this cult are called Looksmaxers, and they revere Matt Bomer, whom I would agree is the most beautiful male human ever spawned upon this planet.

###

In News of the Work In Progress, I am deep into hammering out Chapter 6. This one is tricky because there are so many points at which the whole thing could slide off into melodrama, particularly the Spooky Baptism Scene at the end of which Neal is actually gonna swoop down and rescue Grazia. Most of the chapter should be written in a hyper-realistic style with a lot of vivid visuals but minimal humor until after the rescue scene, when the tension lets up, and Grazia can go back to her regularly scheduled wisecracking.

From there, the writing style should get lighter and lighter and lighter until the final poignant line at the end—The heartbreak for me is the lonely guardianship of all those memories, floaters from an increasingly ephemeral past—when the reader suddenly remembers: Oh, right. Neal's dead.

I mean, the whole point of this section of the novel is to make Neal a vivid enough character so that the reader forgets that he's dead.

###

I am hoping to complete Chapter 6 over the holiday weekend.

We'll see if I can.
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CRAZY cold when I woke up this morning: -5°F with a real-feel of -13°.

This has been a brutal winter.

The Work in Progress has really saved me.

It's giving my life meaning & forward momentum at a time when, honestly, life feels like an unrelenting slog.

I am the oyster, goo goo g'joob. Pressure makes a pearl!

###

Why do people join cults anyway?

I think because despite the fact that end-stage capitalism dangles meaningless choices in front of captive consumers—choose between 87,000 (!!!) possible combinations of Starbucks caffein customization options—most people don't like making choices, not really. They prefer to crawl into a set of lifestyle choices that have already been made and claim them as their own.

So, I suppose Chapter 6 begins with an observation along the lines of, In my real life, I made a hundred decisions a day: [Your facetious list goes here.] But here in Creepy Mansion, I made no decisions at all. It was relaxing.

But where does it proceed from there?

A word came into my mind yesterday: Profoundary.

I have no idea what a prefoundary is, but I know it's a key element in the New Millennium Kingdom lifestyle.

Oh, and I do want to do a Bible Study parody.

###

Other than that...

Neal has to rescue Grazia, but I don't want that to seem too melodramatic or Lifetime Television-y, plus Grazia has to be profoundly changed by the New Millennium Kingdom experience—henceforth, she does believe that the Universe has a plan and that every move she makes is part of it, preordained somehow.

And the chapter will end with this line after Neal dies and the point-of-view segues back to the front porch of the Catskills cabin where Grazia, Daria, and Flavia have gathered after Neal's memorial service: The heartbreak for me is the lonely guardianship of all those memories, floaters from an increasingly ephemeral past.
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You can read Chapters 1 through 4 here.

CHAPTER 5

Over the phone, Neal said, "Always trust evangenitals to make God seem unattractive."

"Look," I said, "I know it's ridiculous. But talking to her is very—I dunno. Comforting. She has a coherent worldview."

Neal said, "Of course, she does. So did the Nazis. So do Scientologists."

"Well, I mean, it is refreshing. You have no idea what it's like in there. Nobody has any idea. It's fuckin' chaos, but somehow, we're supposed to normalize it. It's demoralizing."

Neal said, "I know when I'm demoralized, I always look to the Old Testament for the wisdom of barely literate scribes who knew that the sun revolved around the earth and thought goat sacrifice protocols were the apex of moral philosophy. That must be why today's Christianists are so forward-looking."

"You know what?" I said. "I can talk to whomever I want without your permission."

"But, see, you don't always do what's best for you. Just an observation."

“Maybe you and my therapist could just start talking to each other directly,” I said. “Circumvent the middleman. Leave me out of it.”

"You don't have a therapist."

"That's right! I don't!"

And then we started bickering about whether the N95 masks you could buy at Home Depot used the same filtering mechanism as the ones they distributed to nurses in the ICU.

###

That was one kind of friendship. Debbie Reynolds was another—situational, impersonal, the other end of the spectrum from the highly personal connection I had with Neal.

You can feel a great deal of affection for the people with whom you have impersonal relationships. But the essence of the relationship is transactional, the boundaries are clearly marked. You walk away from these interactions with a pleasant glow and no particular urgency to repeat them. Once we finished wrecking our lungs for the afternoon, I never thought about Debbie Reynolds, and if I were to quit my job suddenly, she would never, ever cross my mind again, except maybe as a tag to an amusing anecdote I'd find myself telling to someone I got stuck next to at a continuing education seminar.

We were work best friends. Everybody needs a work best friend, right? Somebody you can roll your eyes at during staff meetings when middle managers justify their employment by droning on and on about CYA disguised as new protocols. Someone with whom you can indulge in forbidden pleasures at the end of a long shift.

As spring turned to summer, the days grew longer, and work seemed to get harder. Any other year, the summer would have been luminous, but now it just stretched aimlessly in front of us like house arrest. After a claustrophobic day in the ICU, we scuttled home, locked the door, pulled down the shades, as though somehow that would keep COVID at bay.

At the end of our ICU shifts, Debbie Reynolds and I had taken to chain-smoking. Two cigarettes back-to-back instead of one. We'd light that second cigarette from the still-flaming butt of the first, almost as if we saw our matching smokers' coughs as an act of defiance, a Fuck You to COVID: You want coughing? I'll give you coughing.

One afternoon, Debbie Reynolds exhaled smoke, began coughing, and couldn't stop. Brought her hand up to her throat, gasped for air. Coughed some more. I watched, wondering whether there was something I should do. I couldn't think of what that something might be.

She reached into her Marlboro pack and fished out a third cigarette.

"Maybe you shouldn't," I remarked pleasantly.

She shot me a WTF look and clicked her lighter.

"Ever think of giving up smoking?" I asked.

She was coughing again. Dry cough this time. She held her hand up, motioning, Wait. Took a deep breath. Held it.

"Why the fuck would I want to do that?" she asked finally.

I shrugged.

"I don't want to be old," she said. "I can't think of anything less appealing than living past 70."

"No?"

"Why? So I can become more and more invisible? So I can break my hip, get diagnosed with lung cancer? Develop dementia, get shut up in some Memory Acres where, if I'm really lucky, they'll serve red, green, and orange Jello and one of the staff will speak English? No, thank you!"

So much for my career as a motivational smoking cessationist.

Next day, she wasn't at work. I didn't think anything of it. We may have been BFF in the Land of Code Blue, but we weren't joined at the hip. We didn't go out of our way to sign up for the same shifts, and we seldom shared details about our lives outside of work. If Debbie Reynolds decided to go on vacation, I'd only know about it if I noticed a tan under her PPEs when that vacation was over.

###

Three shifts passed with no Debbie. At the end of each shift, I'd wander over to the NO SMOKING sign, but found I had no real desire to smoke alone.

Then I had three days off in a row. I spent them binging the first three seasons of "The Real Housewives of Beverly Hills" and doomscrolling celebrity deaths on Facebook. My apartment smelled like old coffee and stale food delivered cold in paper takeout boxes, but Dead Pool options were practically limitless, thank you, COVID!

She still wasn't back when I returned to work. The charge nurse intercepted me before I could push through the ICU's double doors. "You didn't get the email?"

"What email?"

The charge nurse sighed. "I told them they should call you. You shouldn't be inside the hospital. Go to the ER and take a COVID test. Phone me with the results."

"Why?" I asked.

"Just do it," she said.

I knew better than to make a face. There was only one reason they sent ICU staff back outside.

Ten minutes later, my nose was burning, and the test was negative. I called the charge nurse and was summoned back to the unit. She watched me in the dressing room while I gowned and gloved.

"When's Debbie back here?" I asked.

The charge nurse sighed and looked grim. "I'm not supposed to say this because medical confidentiality, but you guys are pals, that's why we needed that COVID test. Debbie's here. In the hospital. As a patient. She's got it."

When I got done with work that day, habit took me wandering toward the New Millennium Kingdom table. Today's sign read Pestilence Brings Hope For the Faithful, and the flaxen-haired girl had backup: the tall, stooped man I'd seen a couple of times before.

Her eyes brightened when she saw me. "This is the one I told you about," she said to the man as though I wasn't there. "The one the Lord keeps guiding our way."

"Not the Lord," I said. "My Prius. I walk past you because my car's in the lot behind you."

But the man's eyes had fixed upon mine. "The Lord is as likely to work through the random placement of an automobile as He is through a burning bush."

I supposed that could be true, assuming one believed in the Lord.

"What you're seeking to discover is a thing you've always known," the man continued. "There are no coincidences. There are only signs. Signs that lead to the one true destination if you follow them. I know you know that—" he leaned over to peer at the name badge still pinned to my scrubs—"Grazia." He mispronounced it.

"Signs, huh?" I said. "The universe needs clearer handwriting."

"Hard day?" the girl asked sympathetically. "You work in the ICU. They all must be hard."

And suddenly, my eyes welled up with tears.

"You need fellowship," the girl said softly. "I'm Sister Penury. This is Brother Malachi. We have dinner every night. We break bread together at a big table, like a family. We laugh. We talk about what God is doing. You don't have to go back to your empty rooms. You don't have to be alone."

"Thanks," I said, "but I have a frozen pizza and a clinically significant relationship with Bravo waiting for me at home."

Brother Malachi's smile was pitying. “You hide behind jokes. It's a dissociative behavior. Did you know that? I used to be a therapist. I recognize it." He leaned in closer. "You joke because you’re afraid. You know that, don't you? You see death every day. You know the world is ending. And that's the world you picked to be in.”

"I have to go now," I said.

It was all I could do not to weep.

This is the difference between crying and weeping: When you cry, you're enjoying it; when you weep, you're not.

###

"What if they're right?" I said to Neal on the phone that night.

"What do you mean, 'What if they're right?'" he snapped. "They're not right."

"But what if they are?" I said. "What if we choose the lives we lead?"

Neal snorted. "You mean, back in Bardo? 'Gee', you tell that reincarnation broker, 'what I'd really like to be is a veterinarian in the Yorkshire Dales circa 1938!'

"'Nah,' she says. 'You should consider becoming Cassandra while Western civilization collapses around you! But mind the trigger warning: This material contains themes of intense sadness, depression, hopelessness, and emotional despair.'"

"You weren't there," I said. "You didn't see his face—"

"And I'm glad I wasn't," Neal said, "because I probably would have slugged the asshole, and then the Bar Association would have to put me on probation. Let me preemptively explain my motivation: I hate and abominate the assertion that people chose to be rounded up, stripped naked, starved, and shoved into gas chambers."

"You didn't hear his voice," I said. "The absolute certainty in his voice—"

"Oh, for God's sake." Neal sounded really angry. "He's a hustler, Grazia. That's what hustlers sound like. He's got your number. What? You think all hustlers are Nigerian princes writing flowery emails?"

"Don't you dare condescend to me!"

"I will condescend to you if you persist in letting assholes crawl into your head—"

Very coolly, very gently, I depressed the disconnect button on my phone.

For the first hour and a half, I was determined not to pick up the phone when he called back.

At the two-hour mark, I decided I'd pick up the phone, but I'd be icy, punctiliously polite.

After three hours, I decided he was my best friend. When best friends hurt your feelings, you're up front about it. You clear the air, so communication can improve.

Only he didn't call back.

Not that night.

Or the next night.

Or the next night.

Or the next.

###

I started parking my Prius two blocks away so I wouldn’t have to walk past the New Millennium Kingdom table. Without a work best friend to commune or commiserate with, even telepathically through layers of PPE, the hours in the ICU dragged. Each moment felt like Sisyphus's rock. Suction, prone, re-diaper, hang IVs. Repeat. Talk to anxious loved ones on the phone. Come up with fifty ways to say, "Gee, I don't know," when someone asks, "But they are improving, right? Aren't they?"

Debbie Reynolds was on the third floor. Visitors were not allowed, not even visitors who worked elsewhere in the hospital. I talked to her a couple of times on the phone. Mostly, she was pissed because there was no way she could smoke. She could barely speak a complete sentence without spasming into strange, raspy, COVID coughs.

"This sucks," she'd say. "They're not doing anything for me—" And then her words would sputter into coughing.

"Well, they must be doing something—"

"Remdesivir." The final "r" of the word rode out on one long wheeze. "So they have to check my creatinine fifty times a day. Fuck this place. They keep trying to force me to drink Ensure—"

"Nine grams of protein in an eight-ounce bottle!" I'd say.

Then we'd run out of things to talk about.

One morning, I tried to call Debbie Reynolds, but I couldn't get through. "Transferred. She's being transferred," the third-floor charge nurse told me fretfully.

Thirty seconds later, the motorized doors swung open, and Debbie Reynolds was being wheeled into the ICU on a gurney. Her skin was grey. Her eyes had that panic of someone who has forgotten how to inhale.

"Pulse ox 89% with rebreather on 15 liters. Acute hypoxic respiratory failure," shouted the ICU attending. The crash cart was right by the double doors. He reached for the tray.

Rapid sequence intubation. I knew the drill—and so did Debbie Reynolds. Between wheezes, I could hear her gasping: "Hail Mary, full of grace—" in time with the cardiac monitor's beeps.

The overhead lights exploded into full brights. The attending hesitated for a moment, laryngoscope in hand: "Anyone know her MOLST status?"

"Oh, for Christ's sake, Pellegrini," I hissed. "She doesn't want to die."

The intubation seemed to go smoothly. At first. Nurses shot her up with etomidate and succinylcholine; Pellegrini slid the tube between the cords and into her trachea on the first try. I was the team member charged with monitoring vitals and pulse oximeter stats: "Heart rate 130. Pressure 150 over 90. Sats 92% on 100%—"

Then her pressure tanked. MAP in the 60s and falling.

"Fuck," said Pellegrini softly.

Monitors exploded into alarms. Pellegrini barked orders. The nursing brigade scrambled with pressors and fluids.

It took us an hour and a half to stabilize her, and when we were finally done, I looked down at Debbie Reynolds shrunken within a tangle of tubes and lines, motionless except when the ventilator moved her chest, jaw slack, mouth taped open around that endotracheal tube, the sour funk of antiseptics radiating off her, and I asked Pellegrini, "She's not going to make it through the night, is she?"

He glared at me. This was one of those questions you're never supposed to ask.

But as it turned out, I was wrong about making it through the night. She didn't even last through the end of the shift.

###

The charge nurse made me leave early.

"But my shift doesn't end till 4," I said.

"Just go," she told me.

I couldn't tell whether this was compassion or disapproval.

Outside the hospital, it was the most beautiful day in the history of the universe. Lambent blue skies. Birds singing. Purple butterfly bushes and lavender hibiscus trees perfuming the air. Squirrels on treasure hunts scampered across the lawns that bordered Wiltwyck Hospital's historic old wing. Even the patients in the makeshift ER tent waiting to be processed for COVID seemed to be having a good time, their voices wafting merrily on sun-kissed summer breezes. Someone was laughing too loudly at a punchline I couldn't hear.

The details of this glorious present tense tried to paint a mural on my brain, only my mind was a no-stick surface, everything was sliding and jumbling. I'd forgotten where I'd parked the Prius. I found myself walking past the New Millennium Kingdom table.

Today's sign: Everyone Thinks They Have More Time. But Are You Sure You Do?

"There you are," Sister Penury said as if this chance encounter was a rendezvous we'd set up earlier that morning.

I knew then instantly that the universe had organized the entire day around this moment. The entire day? My entire life. I had paused in front of the table because pausing in front of that table was inevitable; it was going to happen, it was happening, it had already happened. Time was no longer a factor.

Sister Penury had been packing up the pamphlets as though she'd already known I would be the last customer of the day. Brother Malachi materialized at her shoulder, holding out a crinkled paper cup filled with a pale liquid he had poured from a thermos. "Chamomile tea," he said. "You look like you could benefit from some soothing."

"It's lasagne night!" Sister Penury bubbled. "I do love lasagne. When I prayed to God to divest me of all human alliances, He left me with lasagne! Funny, huh? He works in mysterious ways!" She chuckled and shook her head fondly.

"Our house is a sanctuary where warriors rest," Brother Malachi said. "No cell phones. No computers. No televisions. No alarms. A break from the battlefield. A place for sleep, and when you're ready, fellowship with other warriors. When you're ready."

The chamomile tea tasted good. Sister Penury had rolled up the banner; still laughing, she struggled to fold the table's legs.

"I want to go home," I said. Though when I pictured my apartment—the unwashed dishes, the wilting plants, the bed I hadn't made in three days—I wasn't sure I wanted to go there.

"Of course, you do," Sister Penury said. "Of course, you do."

"But what about my car?" I asked.

Sister Penury's laughter was heartier than ever. "Pick it up tomorrow."

The car Sister Penury loaded the displays into was a silver Honda hatchback with a mismatched hubcap, maybe 10 years old. There was half a case of bottled water on the back seat and two rickety-looking folding chairs bungee‑corded in the cargo area. SpongeBob stickers from another life decorated the dash, and behind the steering wheel sat Brother Malachi. "It's a short ride," he told me as though that was the main reason to get into the car.

The sun slid lower as we left the hospital grounds. Two sharp turns and then we were on Broadway, where Neal and I had tromped together so often. We passed the Old Dutch Church. "Calvin Vaux designed that," I said.

"Calvin Klein?" said Sister Penury. "I didn't know he was an architect."

The car angled right onto a side street. I recognized the crumbling Italianate row houses. We were in the Roundout District, where the ghost of the old canal still haunted evenings with the unmistakable scent of brackish water.

When the car finally stopped, I recognized the house it had pulled up in front of, too. The derelict mansion with the steeply pitched roof and the wraparound porch. That day in October when I'd seen it first was the day I'd first met Neal. Then it had been grim and bare. Now vines threaded the decaying balusters, and nettles, briars, and crabgrass choked the formal garden. It was still grim, though.

Brother Malachi made an elaborate pantomime of opening my side of the car.

"Welcome home," he said.
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I'm ashamed of being an American this morning.

Not sure I've ever felt that so specifically before. With all its flaws, I've always believed opportunity is not quite as rigged here in favor of the ruling classes as it is in other places.

But that video Trump posted, superimposing the Obamas' heads over cartoon apes' bodies.

That video really says everything you need to know about the United States.

If I were a Black American, I think I'd do anything I could to limit my interactions with white Americans, particularly my interactions with weak, namby-pamby white Americans like me who raise our voices feebly in protest but who are absolutely powerless to stop the surging tide of white supremecy.

###

In other news, it finally dawned on me that Chapter 5 is actually Chapters 5 and 6. Even when I tighten the prose, so much happens that the words keep piling. A natural break occurs when Grazia drives off to Creepy Mansion with the New Millennium Kingdom perps.

Not sure yet how I'm gonna frame Chapter 6. Obviously, Grazia can't stay at Creepy Mansion very long, and I'm not sure what she's gonna do there. I guess I could write a demented Bible Study scene! Not sure either how to manage Neal's metamorphosis into Sir Rescue riding a white charger.

###

It's 9°F out there right now. And the mercury is falling.
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We had a brief respite from the punishingly cold temperatures: Last few days, temps actually broke freezing. But today, the polar vortex is bearing back down again. The National Weather Service has issued a Severe Weather Alert: Dangerously cold wind chills as low as 20 to 35 below zero expected throughout the quaint & scenic Hudson Valley.

This disinclines me to leave the house 'cause what if—minute chance, but still—my car breaks down on the way to the gym? Frostbite on exposed skin in as little as 10 minutes.

###

In Work in Progress news: We are up to the Debbie Reynolds death scene, which occurs during an ICU code, so I am wracking my tiny brain for status detail.

Then Grazia ends up going to the creepy New Millennium Kingdom mansion, where she spends 18 hours a day praying as the initial prep work for dismantling her personality begins.

Neal rescues her!

Big dilemma: Does Neal rescue her before or after the creepy mansion bursts into flame from a faulty electrical connection? (Decisions, decisions!)

Then Neal & Grazia have to have some sort of Meaningful Conversation on the front porch of Neal's Catskills cabin.

And magically, perspective swirls so that we are back at the very first scene of Part 1 when Grazia drives up there following Neal's memorial.

It would be great if I could tweak the closing prose too, so it mimics the chick lit cadence of that opening chapter, but I'm not sure I have the writing chops to pull that one off.

But after that, we start with Part 2: Daria.

###

I have my own Bad Cult memories, though I'd have to do some serious excavating to access them since they're buried under many decades of petrified protective amnesia.

As a teenager, I had dealings with a cult called Synanon.

Synanon didn't eat me, but it ate some people I cared about back then—most notably, Michael Garrett whom I still wonder about sometimes late at night.

I'm not sure how many of those Bad Cult memories I can repurpose. They're awfully immersive, and immersion is only of questionable usefulness in a passage that's supposed to be 1,500 words or so in length max. Don't really want to distract from the essential story, which is Neal & Grazia.

Here is Michael Garrett and me in 1968:



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Snow-pocalypse minus 21 hours.

I have done all the prep work I can.

The arctic front swooped down yesterday, and it is currently 4°F—up from -2°F when I first woke up. Shortly, I will gird up & trek out to the chicken coop to lay down more straw for insulation. That's the only thing I can think of to do for the chicks. Then I will see if the Fluid Film has worked to keep my Prius doors from freezing shut.

The Catskills are supposed to be getting three feet of snow, which has got me so worried about real-life Mimi that I am seriously considering inviting her to come down here, where conditions are predicted to be marginally better. I don't actually like real-life Mimi, but I can't bear the thought of her isolated & helpless in all that snow.

Worth noting that the cost of natural gas, which many folk around here use for heating, has jumped by 63% in the past week. Never let it be said that price gaugers aren't lightning quick to skim a profit from human helplessness.

I'm debating heading to the gym. I am fairly certain this will be my last chance till Wednesday. The YMCA is in Middletown, & I'm such a wuss, I'm actually worried about breaking down on one of those remote country roads twixt here & Middletown, and freezing to death while waiting for Triple A, though I suppose that's unlikely.

###

Only wrote 500 words on the WiP yesterday. The coming storm has my mind on full skitter.

Chapter 5 has to do some heavy lifting: Debbie Reynolds dies of COVID in the ICU, Grazia has a psychological breakdown & goes off to stay with the New Millennium Kingdom cult, the creepy old New Millennium Kingdom mansion catches on fire, Neal rescues Grazia, and they have some kind of Deeply Meaningful Conversation on Neal's front porch—so I can segue back to the opening scene of the novel of the three sister wives on Neal's front porch.

My great friend Tom read the first four chapters of the manuscript. He thinks they're strong—but noted that there is a considerable difference in tone between the first chapter and the subsequent three chapters.

Of course, I knew that, too.

And had been thinking, In Draft 2, you'll tighten up that first chapter.

But now, I'm thinking, Hmmmmm... Maybe Chapter 1 frothiness could be a feature not a bug? Like if I could make the final passages of Chapter 5 equally frothy, it could be a wonderful, structural full-circle as well as a plot full circle.

Not sure I have the writing chops to pull that one off, but I'll give it a whirl.

Also, Chapter 6—which will be written from Daria's POV—has to contain much bickering with annoying Mimi.

###

In political news, here's a photograph of yesterday's Minneapolis protests:



Tens of thousands of people marching in sub-zero temperatures.

So inspiring.
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Justine finally emailed me, so I can take being snubbed off my list of grievances and give my full attention to the coming snow-pocalypse—which is now up to 18 inches in every forecast, predicted to be light, fluffy, Currier-and-Ives snow, which is better than ice because there is less chance the power grid will go down.

I nagged Icky to get driveway plowing lined up when the storm finally ends.

I'll still have to dig out my car, which will be a pain in the ass, but doable.

The storm should be manageable, so long as we're not looking at a prolonged interval where the power fails.

I told the kiskas they needed to draw lots to see which one of them I'm going to sacrifice to the Power Grid Gods. But they are ignoring me.

###

Other than that, got all my errands done yesterday. I am more likely to eat myself to death than to starve during the Coming Storm. Worked out very strenuously in an effort to exhaust all those Noradrenaline-secreting neurotransmitters! Came home, did a speed reread of Mary Lovell's The Mitford Girls and watched movies: Rental Family & Sentimental Value.

Rental Family is a very slight film, but it's about the social stand-in biz, a Japanese business model that deeply intrigues me. So I enjoyed it.

Sentimental Value is Ingmar Bergman for the 21st century a/k/a the Age of Infinite Content & Zero Attention Span. I kinda/sorta enjoyed it.

Tried to watch Marty Supreme & failed: I liked Uncut Gems a lot, so I was willing to forgo my strong, visceral aversion to Timothée Chalamet, whose head is so undersized for his body that he reminds me of those shrunken-head football players in the original Beetlejuice. But I just couldn't get into it.

The Mitford Girls is an unsatisfactory biography, but it's the only Mitford bio that's still in print. As previously noted, I am a huge Decca fan-girl, and I quite understand why Decca completely froze out the Hitler-loving Diana for 50 years. Mary Lovell does not. Mitford biographers in general seem to go very easy on Diana. Was it because she was so physically beautiful?



Dunno, but I fuckin' loathe her.

"How lovely it is to be lovely one," Diana once remarked, a comment her novelist sister Nancy promptly snagged & incorporated into The Pursuit of Love.

###

I did absolutely no useful work whatsoever yesterday.

But I should try to advance Chapter 5 today.
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Okay! Based on doomscrolling through myriad weather reports, I can confidently predict that we will be getting anywhere from 1 and 145 inches of snow starting on Sunday, that the electricity will go out while the outside temps hover at 10° F, that I will die of hypothermia in my own bed, and that the kiskas will nibble my corpse.

If there was anywhere to run to, I'd run.

But there isn't.

My only consolation is that they say hypothermia is a very peaceful way to die. After you get cold, you feel oddly serene, you grow sleepy.

###

Today, I'm gonna put together an emergency kit: two flashlights, batteries, fully charged phone, full charged power bank, three gallons of water (the well here is on an electric pump), non-perishable food items (peanut butter, canned tuna, Pepperidge Farm goldfish, etc), manual can opener, thyroid meds—what else?

Need to spray some kind of oil on my car door's weather stripping, too, to minimize the risk that those doors will freeze shut. Olive oil will actually work, but I think I'm gonna go to the auto parts store & get lanolin-based Fluid Film.

Also, I have to get a wireless keyboard similar to a desktop computer's clunky black keyboard. At this point, my main challenge with tax preparation is not tax law but data entry. I've watched Rose do three returns now; she keys in all the numbers using her right hand & the right numeric keyboard. This is something I have never done because I only use laptop models at home. Proficiency at this would double my efficiency.

###

On the Universe, Why Hast Thou Forsaken Me? front: Justine & the collective house in Trumansburg resurfaced this week in a FB posting. I immediately private-messaged her: Still interested! Posted a public message: I PMed you, which she pinged with a pink love heart.

And then, last night, I noticed my public message had been deleted & somehow—I didn't even know you could do this!—my private message had been deleted.

I've been ghosted!

And that hurt my feelings terribly.

It is certainly your right to decide I am not a good fit for your collective. But why not just tell me? Why humiliate me by pretending that I don't exist?

Combined with my intense social isolation, financial worries, & the pending storm, this made for a stressful evening.

Resilience is the name of the game, & my mantra is ever, You do not live in Gaza, you do not live in sub-Saharan Africa, you do not live in...

But honestly, all this is hard.

This has been a very tough winter.

It will be better in the spring because it is always better in the spring.

###

In Work In Progress news, I'm 500 words into Chapter 5—phone conversation with Neal in which he chides Grazia for her growing intimacy with the New Millennium Kingdom cult and meditation on personal vs. impersonal friendships.

Next up, we must segue back to a Grazia/Debbie Reynolds convo where Debbie Reynolds talks about death, and then Debbie Reynolds appears in the ICU where Grazia takes care of her & she eventually dies. A thousand words? We'll see.

Naming Day

Jan. 19th, 2026 08:18 am
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I think I'm gonna call the Work in Progress The Real Sister Wives of the Quaint & Scenic Hudson Valley.
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I was planning to hit the gym & do a Big Shop this morning. But I had neglected to check the weather forecast.

And when I woke up this morning, Hideous White Stuff was falling from the sky! More is expected. Not a lot of inches, but "heavy banding" (ugh!), which will make driving perilous.

The prestidigitators had augured a break in the snowfall around 7am, so I made an expedition to the Hannaford's of the Living Dead at that early hour to pick up enough provisions to tide me over till Monday. I was a kind of parade marshal for a cavalcade of trucks, all of which wanted to be going 50 mph. The roads were unplowed: I wanted to go 30 mph. The truck drivers were not happy with me. FUCK 'em.

Don't think I'll be going to the transfer station or the gym today! It's snowing again.

###

I had a conversation with the Big Remuneration Client. We have no plans to wind down, Big Remuneration Client said, but acknowledged that they are indeed reprioritizing. So my anxiety on that front is not all PTSD. Big Remuneration Client asked me to give him "a little time" to respond to my concerns.

If I had to guess, I'd say I will continue working for the client. In fact, my responsibilities may even increase—I made the bold suggestion that he let me start picking my own topics for analysis.

But I could be entirely wrong about that, so (a) it's a good thing I have another revenue stream till mid-April and (b) I need to start looking at alternative revenue streams after that.

Retirement subsidies cover my basic expenses, but if I want to do anything beyond enjoying a roof over my head, using utilities, and eating, I need other sources of cash flow.

###

Chapter 5 of the WiP has to open with some pontifications on the nature of friendship.

Then I kill off Debbie Reynolds. Debbie Reynolds catches COVID (of course!), and ends up in the ICU, where Grazia is her nurse & so, has to code her. Code is a failure, Debbie Reynolds dies. This precipitates Grazia's full-scale breakdown; Grazia follows the flaxen-haired girl back to the decrepid decaying mansion where the cult shelters, spends a week doing Cult Things & eventually gets rescued by Neal, who nurses her back to health at his Catskills cottage during which they have some sort of Significant Conversation on Neal's porch—which Grazia then remembers as she is standing on the porch again with Flavia & Daria the day after Neal's memorial for that full-circle effect. End Part 1.

This means I have to start with some Grazia/Neal phone conversations during which Grazia describes the cult & Neal senses her developing attraction to it. Or else Neal won't know where to look when Grazia disappears.

I don't much feel like writing today.

I don't much feel like doing anything today.

But I'm gonna write anyway.
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One of my favorite poems is W.H. Auden's Musée des Beaux Arts.

That's the one that begins: About suffering they were never wrong, The Old Masters... And goes on to use the image of the torturer's horse as a metaphor for the Universe's benign indifference.

It's another way of saying "What it boils down to is putting one’s feelings on a special plane; most unwise, if you come to think of it. Because the bitter but true fact is that the only person who cares about one’s own feelings is ONE," which is one of my favorite quotations and comes from Jessica Mitford.

Auden's poem is a refutation of narrative exceptionalism. I've found it very comforting as the U.S. continues to disintegrate along a track with obvious parallels to Nazi Germany: Yes, this is happening here, but there are other places where it is not happening.

In fact, it wouldn't even be happening in my own personal here if I just stopped paying attention to the news cycle.

That's very tempting!

It's not as though I can actually do anything about what's going on. And what's going on is really, really upsetting.

Although I suppose that's the same thing that the Germans thought in the last flickering days of the Weimar Republic.

Bearing witness is important. But so, so, so, so draining.

###

In other news:

Finished Chapter 4. It's dark. I'm actually kinda proud of myself for seguing from frothy opening chapters into something that dark. It also contains a fair amount of dialogue that makes little sense, but has the conversational rhythm I could hear echoing in my head. First draft, first draft, first draft! I can instill sense when I do the second draft.

At this point, I'm thinking the finished novel will have 17 chapters. It has been taking me around a month to write each single chapter, which means I can anticipate completion in January 2027—assuming I live that long.

To celebrate, I went off to the gym & increased both the number and the weight of my strength-maintaining reps. So, this morning I'm a little sore. But in a good way.
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First three chapters can be read here.

CHAPTER 4

Wiltwyck Hospital was a small community hospital. We didn't have a lot of sophisticated resources. We only had nine ventilators. We didn't have a negative pressure room or a single ECMO machine. We barely had enough reserve oxygen tanks for our regulars with chronic obstructive pulmonary disease.

There wasn't much we could do for COVID patients, but the COVID patients kept coming in anyway.

At first, we'd try to transfer the sickest patients to one of the bigger, better-equipped hospitals in Albany, Poughkeepsie, or Westchester County. But pretty soon, those hospitals were all filled up. And then we had to admit the patients.

There wasn't enough space for everyone pouring into the ER waiting room. Plus, even if there had been, the Wiltwyck management team had decreed the hospital a COVID-free zone—except for those patients diagnosed with COVID who required hospitalization. So far as I could tell, they all had COVID—there were no longer any other types of patients in the hospital—so this new directive was yet another example of the Cover Your Ass school of administrative strategy. CYA! Always best practices at Wiltwyck Hospital.

###

Once the pandemic got underway, they pitched a huge white open-air tent over the visitor parking lot where anyone who imagined they might have had the slightest contact with the virus was herded. To the side stood the original hospital building and a grove of old trees, sugar maples and white oaks, where birds sang, and squirrels frolicked. The effect was almost festive, like a demented lawn party in the Hamptons where the guests arrived in dirty bathrobes and ratty slippers.

The original building, erected in 1874, was a National Historic Landmark with prescriptive easement, designed by Calvert Vaux in the high Victorian Gothic style so beloved by remote country lunatic asylums. Pre-COVID, various street ministries had tabled on the sidewalk there, Jesus freaks, Chabadniks, yoga nuts, flying saucer cults. You could stagger out from the bedside of a dying relative and choose your own religious conversion experience. Only one of the apocalyptic Jesus cults was brave enough to stand up to the virus, though. The New Millennial Kingdom.

We had a protocol. First thing was a digital thermometer touch to the forehead.

Temperature over 100.4°? You were escorted to a VIP section, where long cotton swabs would be maneuvered up your nasal cavities, and the residue mixed with an extraction buffer. If, half an hour later, the solution made little pink lines appear on a test cassette, then tag, you had it.

Most of those people were sent home with instructions. You have tested positive for the SARS-CoV-2 virus, we told them. Take Tylenol. Stay hydrated. Most importantly: Do not come into contact with another living soul! Barricade yourself behind closed doors! Disinfect everything you touch with an alcohol-based disinfectant! Wear a mask at all times! More CYA verbiage! We printed it out as a discharge summary. We knew perfectly well these instructions did little to help control their symptoms and absolutely nothing to allay their desperate fear that a positive test meant they were going to die.

Some people we admitted. These were the ones with spiking fevers, or blue lips, or persistent chest pains, or who were so disoriented, they had no idea where they were.

These people, or more precisely, the flustered family members who'd carted them off to emergency services, had perfect faith that we were going to save them. They were not frightened at all.

That was okay because I was frightened enough for all of them. I no longer had access to the world behind the sliding doors, so I had no idea what happened to them once they were admitted to the hospital. I suspected, though, it was Not Good.

###

COVID was just a cold, right? Okay, a bad cold. But it wasn't the bubonic plague. It wasn't polio. You didn't die from it.

Your throat got sorer, you had a headache even if your sinuses were not stuffed, and then there was that cough, that eerily distinctive cough, that sounded like a car that had run out of fuel, only the driver keeps stamping down furiously on the gas pedal. Okay, some people died from it, true, but then, some people died from colds, too, if they were old, if something else was seriously wrong with them, if it traveled to their lungs and became pneumonia. I wasn't going to die from a cold.

No, the scariest thing about COVID was what happened to some people afterwards. A profound fatigue, an absolute inability to think, joint pains, heart palpitations, some inner battery draining that could never be recharged that cycled you into perpetual exhaustion, helplessness, disorientation. This was long COVID. Nobody knew what triggered it or why some people got it, and some people didn't.

I didn't want to get long COVID.

The hospital was responsible for providing us with personal protective equipment, or "PPE," they liked to call it, as if acronymizing masks, gloves, and paper isolation gowns imbued these items with supernatural powers of preservation. But they were useless. The virus survives on latex, and when your surgical mask slips under your nose and your gloved hand reaches to pull it back up—a thoughtless reflex, but you're too exhausted to remember the warnings—you contaminate yourself. Isolation gowns are open-backed; if you sit or squat, your back is exposed. A surgical mask might stop you from expectorating virus particles onto people you talked to, but it did nothing to protect against the aerosols those people shed when they talked to you.

The surgical masks bugged me the most.

N95 masks were the most effective. Everybody knew that. Even the CDC.

###

Hospital administrators were everywhere in the tent under the old-growth trees, standing apart from the conveyor lines of patients and practitioners. Watching the action, tapping furious notes on their POC tablets. To what end? More CYA directives? Who knew? Most of them wore N95 masks. Every shift, Noah, the ER Director, planted himself in a spot 10 feet away from the nose-swabbing station and stood there with his arms folded for half an hour or so. Noah wore an N95 mask.

One afternoon, I confronted him. "When will the hospital be providing us with N95 masks?"

A couple of patients turned around to gawk.

"We're not having that conversation here," he said.

"We're damn well going to have that conversation somewhere," I said.

He looked at me a couple of seconds too long, then exhaled loudly enough so that I could hear the sigh through his mask. Beckoned me: Follow.

We walked to the little patch of public-access lawn near where the New Millennial Kingdom table stood. Behind it stood a tall, stooped man and a plump woman with flaxen hair and a radiant smile. They were not wearing masks. Covid Is God's Down Payment, read the banner taped to the table.

Noah grimaced and moved a few steps farther away. "We've put in an order for N95 masks. It should be approved very soon. Till then, surgical masks are what we have to use. Back up, please. You're standing closer than six feet—"

"We are actually being told to reuse these masks—"

"It's perfectly safe. Do you know the protocol? It's on the website."

"The protocol tells us to put them in brown paper bags labeled for days of the week—"

"Right. The virus dies after 72 hours. So when you take your mask off on Monday, put it in the Friday brown paper bag, and on Friday, it will be safe to wear again!"

"Oh, right! And the brown paper bag will magically eliminate all the snot that dripped from your nose and the sweat that poured from your skin. You know I had underwear labeled with the days of the week when I was six. My mother still did the laundry."

"It is a temporary supply chain issue," Noah said. I could tell he was working hard to sound reasonable. "We're working as hard as we can to resolve it. But I'm glad we're having this opportunity to talk, just the two of us, because there's something else I need to discuss with you."

"What's that? You're writing me up because I prefer N95s to martyrdom?"

"We're floating you to the ICU."

"What? You can't do that!"

"We can," Noah said. "It's in your contract." He quoted from memory: "The Hospital reserves the right to require the Employee to float or be temporarily reassigned to other units or departments within the hospital as needed to meet patient care demands and operational requirements."

I was speechless. I was stunned. My heart began to beat fast.

The ICU is the place where failing organs are plugged into chargers, and quality of life is measured by the hiss of ventilators, the beeping of intravenous pumps, the drip of urine into catheter bags. Apart from the ER, I hated every ward in the hospital, but the ICU was the absolute worst.

In the ICU, nurses were handmaidens to biomedical equipment that needed constant calibration, monitoring, resetting; the patients' needs were really secondary to the needs of the machines. Patients remembered their ICU stays, if at all, as a bad acid trip, or a prolonged episode of sleep paralysis, or a sojourn in hell. Sure, it extended some patients' lives, but a significant percentage of them would be dead in six months anyway, and another sizeable fraction would wish they were, so what exactly was the upside?

"I won't work in the ICU," I said flatly.

Noah sighed again. "Grazia, you're being wasted here. A nurse with no skills whatsoever can stick a Q-tip up someone's nose. You are a skilled practitioner. You're valuable. You've worked with ventilators. You know how to read an EKG. We need nurses with your level of skills to work with actual patients on the inside."

"I am not an ICU nurse."

"You'll get the necessary training."

"You can't make me do it."

"I can't force you, true. But your job description will be changing. And it's not just my decision. It's the hospital administration's decision. You know as well as I do that an emergency room runs on the principle of triage. Now we are having to triage our nurses. Not a best case scenario, I agree. But we all have to make sacrifices. Look on the bright side: ICU nurses get N95 masks."

Noah's laugh had always had a strange quality, like a barking dog being slowly strangled. I'd always tried not to take it personally. That was hard to do right now.

"Fear is the real infection," the young woman with the flaxen hair called over to me pleasantly from the New Millennium Kingdom table.

###

That night, it was Neal's turn to call me.

Neal wasn't a frontline essential worker exactly, but even in times of pestilence, the wheels of justice must keep grinding, albeit more slowly, though not particularly more finely. He was still down at the city jail three times a week, visiting clients and prospective clients. He was conducting other work-related meetings by Zoom, though, and dealing with all required paperwork from the computer in his bedroom. Which left him with a lot of time on his hands.

He had endless hours to practice his fingering on Missy Quat. He'd joined a "Finnegan's Wake" discussion group over Zoom whose members included a psychiatrist in India and a librarian in Iceland. He was flirting heavily with the librarian in Iceland, though who knew if anything would come of that: “Mispronounce Eyjafjallajökull once and it's through, right?"

He was also gardening, listening to epidemiology podcasts, mediating a war between the finches and the bluejays over his birdfeeder, overdoing his treadmill, and smoking a lot of dope. Oh, and Mimi was staying with him—

"When does 'staying with you' become 'living with you'?" I asked.

"Staying with me never means living with me," Neal said. "I have sworn off cohabitation. But her house got foreclosed. She needs a safe place to regroup. And when your world falls apart, I'll do the same thing for you."

"Funny you should bring that up," I said and recounted my conversation with Noah.

"You didn't know your contract included a float clause?"

"I'm allergic to fine print."

"And that's why the world is full of lawyers. So, what are you gonna do?"

"I don't think there's anything I can do. I am totally powerless here."

"Well, that's not true. In any situation, you always have three choices. You can say, 'Yes'. You can say, 'No'. Or you can walk away."

I thought about that one for a moment. I was a grasshopper: I had a lot of debt and no savings. That's because, in the words of "Chicago's" Roxie, I was older than I ever intended to be.

"I mean, you could find a rich guy and marry him," Neal said.

"I don't dream about marrying a rich guy," I said. "I dream about divorcing one."

"Or I could pitch a tent behind the house if you quit your job and need a place to stay. You'll need to get rid of that great couch—it won't fit. And you'll have to fight Mimi for the shower. That's Mimi's favorite thing in the world, taking long, hot showers that steam up the mirror. I think she likes it even better than when I go down on her—"

"Too much information!" I said.

###

Sometimes I wondered what it was like to be a patient in a hospital. It was an exercise in powerlessness, I supposed. An exercise in acceptance of powerlessness. A good patient is one who suffers quietly, is always cheerful, always friendly. A good patient is one who keeps demonstrating how little they really need. Says, "Thank you!" often. Gratitude was the engine grease!

A bad patient, on the other hand, was one whose excessive demands threw you off schedule. If they were conscious, they were always riding the nurse's call button. They hurled invective and verbal abuse. They pulled out IVs, struggled to get out of bed when you told them not to. Threatened lawsuits. If they were unconscious, their various organ systems were always staging general strikes so that their monitors were perpetually alarming. They always tried to die at precisely the moment you had finally gotten to the break room for your first cup of coffee after a night when you'd only gotten three hours of sleep.

By that metric, the COVID victims in Wiltwyck Hospital's ICU were all bad patients.

"They code at four o'clock in the morning, regular as clockwork," Debbie Reynolds told me. "Just when you've finally gotten a chance to crank up that bedside recliner and put your feet up."

Debbie Reynolds was the nurse charged with orienting me to the ICU, a large-boned woman with full-sleeve tattoos and short platinum hair that she spiked with gel. She reminded me of a cowgirl, somehow.

"How many of them actually survive?"

"Oh, maybe 20%. The odds are not good. I wanted to start a betting pool. But the other nurses told me that was too morbid."

"Does it bother you to be named after Princess Leia's mother?" I asked.

"Hell, no," she said. "It's a good way to estimate somebody's demographic cred. Like now I know you're a Millennial. If you were a Boomer, you'd be asking me about Liz Taylor and Eddie Fisher. If you were GenX, you'd start humming 'Singing In the Rain' and trying to tap dance."

"How long have you worked here?"

"Oh, girl. A long time. Why I remember back to the days of heart attacks and septic shock, 'cause some girls couldn't remember to take out their tampons. BC in other words—Before COVID."

Wiltwyck Hospital's ICU was an open bay, all one big room. Seven beds and their attendant machines arranged in a semi-circle. An intimate space—but not in a good way: Every patient was on a ventilator, which meant all of them were paralyzed, all of them on heavy doses of fentanyl and morphine. Many of them were wrapped up like mummies, the better to flip them on to their stomachs, a procedure known as "proning."

"But nobody sleeps on their stomachs," I said.

"Well, we don't care about their comfort," said Debbie Reynolds. "We care about their O2 saturation. Which increases by 10% when they're proned, P/F ratio be damned!"

Mostly, though, Debbie Reynolds wanted to orient me to the personal protective equipment. There was a ceremonial aspect to putting it on, a kind of ritual Yoroi wo kiru as though we were medieval Samurai warriors girding for battle.

First, you pulled paper booties over your shoes. (Weekly staff meetings always included at least 15 minutes of heated debate as to whether or not we should also be removing our shoes.)

Next, you donned the isolation gown, a blue smock made from some kind of cheap, woven paper material that covered your torso from the neck to the knees and your arms to the wrists. The isolation gown would always slide from your shoulders at exactly the wrong time—when you were suctioning a patient, maybe, or when you were reaching down to dislodge a diarrhea-heavy Depends—because no matter how tightly you secured them, the ties on the back always came loose.

Then came the N95 mask, which wasn't a mask at all, really, but a respirator that was supposed to filter out airborne pathogens like viruses, bacteria, and dust. The N95 mask was heavy; it felt like what it did best was to filter out oxygen.

The hospital didn't supply eye protection. Each nurse was tasked with providing their own, so no two face shields or pairs of goggles looked alike, as though each was a helmet, denoting kinship in its own hereditary warrior clan.

"So, does this stuff actually protect nurses from getting COVID?" I asked Debbie Reynolds.
Debbie Reynolds shrugged. "Define 'protect.'"

"Do ICU nurses get COVID?"

"ICU nurses get COVID."

The rest of orientation consisted of trotting around in Debbie Reynolds's steps as she tended her two patients. They were both on ventilators.

"Wait," I said. "I thought the rules say you can only take care of one ventilated patient at a time."

Debbie Reynolds shrugged. "We're short-staffed. Can you believe that at a time when the healing profession needs martyrs on the ground the most, there are actually nurses who'd rather quit patient care and get cushy office jobs doing insurance utilization review?"

It was late afternoon by the time I finally left the hospital. The golden light made the white ER party tent look more festive than ever. When I walked by the New Millennium Kingdom table, I saw a new banner: Turn to Jesus While There's Still Time.

The flaxen-haired girl was standing behind it alone. "Hello! Good to see you again!" she called over.

I doubted very much she remembered seeing me before.

A stack of pamphlets lay near the banner. The pamphlet's cover displayed an illustration of a hearty-looking Savior using a massive wooden cross to batter what appeared to be a green balloon studded with red spikes. "Is that Jesus fighting COVID?" I asked. "Get a lot of takers for those?"

"Not a whole lot," the flaxen-haired girl admitted cheerfully.

"Can I ask you something that's always bothered me?"

"Sure!"

"Jesus knows everything, right? Knew everything. So why did he allow Judas to betray him?"

The girl's smile widened. "Jesus allowed it so the prophecy could be fulfilled. Judas was part of God's plan. God uses everything to help us ascend to redemption, even betrayal. Even COVID."

"Wait. You think this—" the wide arc I made with my hands encompassed both the white tent still crowded with potential COVID patients and the hospital where confirmed diagnoses were processed—"is all part of God's plan?"

The girl was positively beaming now. "Matthew 24:7: 'For nation shall rise against nation, and kingdom against kingdom: and there shall be famines, and pestilences, and earthquakes, in divers places.'"

Then she gasped, brought her hand to her mouth. "Your face," she said.

It wasn't until I had driven home and stood in front of my bathroom mirror that I figured out what she was talking about. The N95 mask had left its imprint in the form of huge blue bruises on my cheeks. Your very own stigmata. Neal's voice in my brain! Customized. 'Cause you're such a cheeky bitch.

###

The work itself was not tremendously challenging. In fact, it was boring. Rote. Monotonous. As though you were somehow trapped inside an algorithm. We plied patients with corticosteroids to reduce the edema in their inflamed lungs. We injected patients' IV bags proactively with antibiotics so they wouldn't succumb to secondary bacterial infections. You had to suction respiratory gunk out of the patients' ET tubes every two hours, or the gummy phlegm would occlude their ventilators. You had to pry their eyelids open and shine your flashlight in their eyes to make sure their pupils still dilated. You had to stay current on their Pavulon and morphine schedules so they'd be paralyzed and stupefied, wouldn't fight the ventilator.

Occasionally, patients started coming out of paralysis and began fighting the ventilator; this made a terrible racket as the high-pressure alarms, low-volume alarms, and apnea alarms began going off simultaneously.

We had to keep a close eye on oxygen sats, too, because if a patient's oxygen saturation dropped below 90, then it was all hands on deck for the proning maneuver. It generally took all five nurses on shift to prone a patient. That was the other thing about the ICU in the time of COVID. Until the shift ended, we were like astronauts marooned on a space station. No nurses aides, no respiratory therapists. We did everything ourselves.

Visitors were no longer allowed in the ICU, and the worst thing was talking to those families on the phone because, really, what was there to say? The best thing was to snow them with medical jargon they couldn't possibly understand: We have him on assist-control volume at a tidal volume of 400 milliliters and a respiratory rate of 20. Moderate to high PEEP but low pressure so his lungs don't get injured further—

But what does that mean? the agonized love one might ask. Is he going to make it?

"How the fuck would I know?" I complained to Debbie Reynolds as we stood outside smoking once the shift was through. We smoked defiantly, right in front of a large sign that said, Wiltwyck Hospital is a smoke-free premises.

"You don't bring your Tarot cards to work?" Debbie Reynolds asked.

"I assumed there was a Ouija board in the break room."

"Tsk, tsk. Next time, just tell her, 'God's not answering His pages."

"Too busy doing that sparrow count in Iceland."

Sometimes, we would stand there chain-smoking for an hour. We never took smoke breaks during shift; struggling in and out of that PPE was too much of a pain in the ass.

Gradually, I extracted Debbie Reynolds' story: After saddling her with a moniker in homage to her mother's favorite movie—not "Singing In the Rain," but "Tammy and the Bachelor"—her blue-collar family had kicked her out of the house at age 16 for being gay. Since then, though, her life had been peachy. "Plus, you know, my brothers are always trying to borrow money."

"Do you lend it to them?"

"Fuck, no. MAGA asswipes. Though sometimes I like to pretend that I will just to see how low they'll grovel."

I'd stopped answering my phone unless it was Neal. At first, I responded to texts, but then I stopped responding to those, too. Neal complained: "You're not updating your LiveJournal anymore. You know, I bookmarked it! I read it every day." But there was nothing I wanted to write about.

Debbie Reynolds and Neal were really my only social contacts—unless you wanted to count the flaxen-haired girl at the New Millennium Kingdom table with whom I'd gotten into the habit of stopping and chatting every day.

I'd say goodbye to Debbie Reynolds, recycle my cigarette butts into a napkin in my pocket—moral corruption begins with littering, after all—and trot on over to the New Millennium Kingdom table. Offer marketing advice on the day's banner. "The Blood of the Lamb Works Better Than Purell? That's not gonna go over too well in a healthcare environment."

The girl just laughed. I had the idea that I could say anything—Aliens have landed! A 9.0 earthquake just took out Australia! You are a piece of shit preying on hapless human fears and insecurities!—and she would just laugh.

One time, I asked her, "What did you do before you got into the saving souls biz?"

Right on cue, she laughed merrily. "I traded at Goldman Sachs."

"For real?"

"Buy the eternal, short the godless."

Another time, I asked, "If God loves humanity so much, then why is He ending the world?"

She shook her head in amused disbelief at the depth of my incomprehension. "If a building is collapsing, do you think about redecorating? No! You get your loved ones out. God isn't ending the world. The world is ending itself. God is building us a new world."

"Why didn't God plan the original world better so that it wouldn't collapse?"

She shrugged. "Free will turns out to be a dangerous illusion."

"Wait! You're saying free will is an illusion? So human suffering is—what? God watching an experiment go bad?"

"It's not an experiment going bad. It's a patient refusing treatment."

"I've had patients refuse treatment. I didn't phone a bomb threat into the hospital."

"That's because you just work there," she said.

"And I don't really care," I said. "I'm just covering my ass."

The flaxen-haired girl chuckled heartily at that one. "Didn't we already decide that?"

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