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Of Souless Corporations & Jessica Mitford
Dec. 30th, 2025 06:16 pmWhaddiya know? I'm not sore at all this morning except for some tightness in the tendons behind my knees. I maintained crouching tiger stance the whole time I was shoveling 'cause you know, ergonomics. I guess I need to do more squat thrusts.
###
Finished Schlock customer training. I start showing up in their office this coming Monday.
I'm not sure Schlock makes much revenue off the financial products we're supposed to hawk so relentlessly to unwitting clients desperate to square their tax statuses with the IRS. I guess that puts Schlock a notch above, say, check-cashing operators & payday loan providers, the carrion eaters in the predatory foodchain that feeds upon American poverty. Their customer base is not the wretchedly destitute but the struggling poor.
Schlock offers refund advances, various types of loans that use your refund as collateral, & debit cards for individuals whom various life circumstances have conspired to make wary of banks. These products are the nectar in the Venus flytrap's hairy sack: Once you wander close enough to sip, it is very difficult to extricate yourself, so you will wander back year after year after year to be overcharged on yr taxes. They're retention mechanisms, in other words!
Would love to do some serious muck-raking here á la Barbara Ehrenreich (Nickel & Dimed) or Jessica Mitford (The American Way of Death). Taxes and the whole tax industry are deeply interesting; this is why tragic genius David Foster Wallace was working on a novel about the IRS before he ambled off one bright autumn day to hang himself on his back porch.
I'm fairly certain, though, that amidst the contractual verbiage that I scrolled past & signed without bothering to read was some sort of NDA. Ah, well! It's not as though I don't have a dozen other writing projects on my plate.
Must remember to get manicure!
I know from experience that tax clients stare at the hands that are entering their financial data!
Speaking of Jessica Mitford, I am currently reading Carla Kaplan's Troublemaker: The Fierce, Unruly Life of Jessica Mitford.
Jessica Mitford is a particular heroine of mine. Partly because I find the Mitford sisters utterly fascinating, and partly because she lived in my old North Oakland nabe, but mostly because she is an utterly hilarious writer whose critiques invite you to find the absurdity in the seriously objectionable. For me at least, it's easier to reject something because it's ridiculous than because it's morally reprehensible.
I met her once.
I was invited over to the Rockridge house by her son Benji's then wife. Some kind of coffee klatch. It would have been the mid-70s. What the pretext was, what the wife's name was, I can no longer remember. What I do remember is Decca, with her regal demeanor and air of perpetual bemusement, sweeping down the stairs in a shabby bathrobe. And I remember Decca's voice. Think Maggie Smith in Downton Abbey.
She joined us in the living room, waved her china coffee cup about and chatted away. Whatever was in the coffee cup had been liberally doused with what smelled like bourbon. I had no idea who she was, but I was enchanted.
Years later, she wrote me a charming postcard after I reviewed her book The American Way of Birth for The Whole Earth Review.
Years later still, when I became a Mitford fan-girl, I realized Decca was easily the most tragic of the sisters. She inhabited her droll, acerbic persona so thoroughly & magnificently that it was easy not to look beyond it.
First husband, the quixotic Esmond Romilly, with whom she ran off to the Spanish Civil War at age 19, was lost at sea flying home from a bombing raid of Nazi Germany. First child, Julia, died of measles at the age of four months; first son, Nicholas died at age 10 when his bike was hit by a bus while he was doing his paper route.
Esmond & Julia only got footnotes in Decca's memoir Hons & Rebels.
And she could never, ever bear to speak of Nicholas.
Years later, she wrote in a letter to someone, "What it boils down to is putting one’s feelings on a special plane; most unwise, if you come to think of it. Because the bitter but true fact is that the only person who cares about one’s own feelings is ONE." One of my favorite quotes of all time.
You can only deduce the immensity of Jessica Mitford's pain by her steadfast refusal to acknowledge it. That no-whinging-allowed credo, of course, was part of her indoctrination as a blood member of Britain's aristocratic class. As was a certain airy disregard for the feelings of the laboring classes that survived her membership in the Communist party and immersion in America's civil rights struggle.
It is very difficult indeed to deduce the existence of something by its complete absence from the official record.
Still. I think I would be enjoying this biography more had its author intuited its subject's tragic essence.
###
Finished Schlock customer training. I start showing up in their office this coming Monday.
I'm not sure Schlock makes much revenue off the financial products we're supposed to hawk so relentlessly to unwitting clients desperate to square their tax statuses with the IRS. I guess that puts Schlock a notch above, say, check-cashing operators & payday loan providers, the carrion eaters in the predatory foodchain that feeds upon American poverty. Their customer base is not the wretchedly destitute but the struggling poor.
Schlock offers refund advances, various types of loans that use your refund as collateral, & debit cards for individuals whom various life circumstances have conspired to make wary of banks. These products are the nectar in the Venus flytrap's hairy sack: Once you wander close enough to sip, it is very difficult to extricate yourself, so you will wander back year after year after year to be overcharged on yr taxes. They're retention mechanisms, in other words!
Would love to do some serious muck-raking here á la Barbara Ehrenreich (Nickel & Dimed) or Jessica Mitford (The American Way of Death). Taxes and the whole tax industry are deeply interesting; this is why tragic genius David Foster Wallace was working on a novel about the IRS before he ambled off one bright autumn day to hang himself on his back porch.
I'm fairly certain, though, that amidst the contractual verbiage that I scrolled past & signed without bothering to read was some sort of NDA. Ah, well! It's not as though I don't have a dozen other writing projects on my plate.
Must remember to get manicure!
I know from experience that tax clients stare at the hands that are entering their financial data!
Speaking of Jessica Mitford, I am currently reading Carla Kaplan's Troublemaker: The Fierce, Unruly Life of Jessica Mitford.
Jessica Mitford is a particular heroine of mine. Partly because I find the Mitford sisters utterly fascinating, and partly because she lived in my old North Oakland nabe, but mostly because she is an utterly hilarious writer whose critiques invite you to find the absurdity in the seriously objectionable. For me at least, it's easier to reject something because it's ridiculous than because it's morally reprehensible.
I met her once.
I was invited over to the Rockridge house by her son Benji's then wife. Some kind of coffee klatch. It would have been the mid-70s. What the pretext was, what the wife's name was, I can no longer remember. What I do remember is Decca, with her regal demeanor and air of perpetual bemusement, sweeping down the stairs in a shabby bathrobe. And I remember Decca's voice. Think Maggie Smith in Downton Abbey.
She joined us in the living room, waved her china coffee cup about and chatted away. Whatever was in the coffee cup had been liberally doused with what smelled like bourbon. I had no idea who she was, but I was enchanted.
Years later, she wrote me a charming postcard after I reviewed her book The American Way of Birth for The Whole Earth Review.
Years later still, when I became a Mitford fan-girl, I realized Decca was easily the most tragic of the sisters. She inhabited her droll, acerbic persona so thoroughly & magnificently that it was easy not to look beyond it.
First husband, the quixotic Esmond Romilly, with whom she ran off to the Spanish Civil War at age 19, was lost at sea flying home from a bombing raid of Nazi Germany. First child, Julia, died of measles at the age of four months; first son, Nicholas died at age 10 when his bike was hit by a bus while he was doing his paper route.
Esmond & Julia only got footnotes in Decca's memoir Hons & Rebels.
And she could never, ever bear to speak of Nicholas.
Years later, she wrote in a letter to someone, "What it boils down to is putting one’s feelings on a special plane; most unwise, if you come to think of it. Because the bitter but true fact is that the only person who cares about one’s own feelings is ONE." One of my favorite quotes of all time.
You can only deduce the immensity of Jessica Mitford's pain by her steadfast refusal to acknowledge it. That no-whinging-allowed credo, of course, was part of her indoctrination as a blood member of Britain's aristocratic class. As was a certain airy disregard for the feelings of the laboring classes that survived her membership in the Communist party and immersion in America's civil rights struggle.
It is very difficult indeed to deduce the existence of something by its complete absence from the official record.
Still. I think I would be enjoying this biography more had its author intuited its subject's tragic essence.
