American Prometheus Versus "Oppenheimer"
Feb. 25th, 2024 09:18 amFinished reading American Prometheus.
To do this, I essentially fucked off on all Useful Work yesterday & so am feeling today like The Big Slacker Grasshopper.
But it seemed like a good idea at the time.
###
The Lewis Strauss Senate hearings are only a tiny two-page throwaway in American Prometheus. This underscores how brilliant a writer and filmmaker Nolan can be because it’s the pairing of Oppenheimer’s disastrous administrative hearing with Strauss’s unsuccessful Cabinet bid that gives the film so much of its what-comes-around-goes-around gravitas. It’s a classically beautiful structure that is a part of the factual record but wasn’t a part of the story until Nolan teased it out.
In reality, Strauss’s animosity toward Oppenheimer had to do with the fact that Oppenheimer belittled him publicly for wanting to import radioactive isotopes for medical uses.
Nolan changes the historical record here in a way that’s highly reminiscent of the little tweaks Shakespeare makes in his historical plays: In the film Oppenheimer, Strauss’s animosity toward Oppenheimer exists because of a kind of class envy—Strauss started his career as a shoe salesman rather than as an enfant terrible of an esoteric discipline. Strauss becomes convinced that Oppenheimer made derogatory remarks about him to Albert Einstein and lashes out.
###
I saw Nolan do something of this sort once before with The Prestige (one of my all-time favorite films), which has an ending that’s quite unlike the ending of Christopher Priest’s very fine novel. Both endings are good—but Nolan’s has the edge if you consider denouements as an inevitable form of closure.
It’s a rare creative gift to be able to tell a story better than the original author.
###
Of course, after I finished the book, I had to lose myself down the Internet rabbit hole.
Oppenheimer may have been a pioneering physicist who briefly rose to greatness when history tapped him on the shoulder to lead the Manhattan Project—but he was no hero.
His private life was an absolute disaster.
He was a shit parent, unwilling to step up when his bitchy, alcoholic wife made their offspring’s lives hell. His daughter committed suicide; his son sought out the most obscure life imaginable, not so very far away from where my sister Jeanna lives in New Mexico.
Fun factoid: J. Robert’s brother Frank, after many years of un-personhood following his youthful membership in the American Communist Party of the 1930s, eventually bounced back and started the Exploratorium in San Francisco.
In a side-by-side comparison, I personally think coming up with a whole new interactive way of teaching is a far more worthy accomplishment than midwifing the hydrogen bomb.
###
Anyway, I really have to shut down all peripheral vision today and just hammer, hammer, hammer at the Remunerative Project.
To do this, I essentially fucked off on all Useful Work yesterday & so am feeling today like The Big Slacker Grasshopper.
But it seemed like a good idea at the time.
###
The Lewis Strauss Senate hearings are only a tiny two-page throwaway in American Prometheus. This underscores how brilliant a writer and filmmaker Nolan can be because it’s the pairing of Oppenheimer’s disastrous administrative hearing with Strauss’s unsuccessful Cabinet bid that gives the film so much of its what-comes-around-goes-around gravitas. It’s a classically beautiful structure that is a part of the factual record but wasn’t a part of the story until Nolan teased it out.
In reality, Strauss’s animosity toward Oppenheimer had to do with the fact that Oppenheimer belittled him publicly for wanting to import radioactive isotopes for medical uses.
Nolan changes the historical record here in a way that’s highly reminiscent of the little tweaks Shakespeare makes in his historical plays: In the film Oppenheimer, Strauss’s animosity toward Oppenheimer exists because of a kind of class envy—Strauss started his career as a shoe salesman rather than as an enfant terrible of an esoteric discipline. Strauss becomes convinced that Oppenheimer made derogatory remarks about him to Albert Einstein and lashes out.
###
I saw Nolan do something of this sort once before with The Prestige (one of my all-time favorite films), which has an ending that’s quite unlike the ending of Christopher Priest’s very fine novel. Both endings are good—but Nolan’s has the edge if you consider denouements as an inevitable form of closure.
It’s a rare creative gift to be able to tell a story better than the original author.
###
Of course, after I finished the book, I had to lose myself down the Internet rabbit hole.
Oppenheimer may have been a pioneering physicist who briefly rose to greatness when history tapped him on the shoulder to lead the Manhattan Project—but he was no hero.
His private life was an absolute disaster.
He was a shit parent, unwilling to step up when his bitchy, alcoholic wife made their offspring’s lives hell. His daughter committed suicide; his son sought out the most obscure life imaginable, not so very far away from where my sister Jeanna lives in New Mexico.
Fun factoid: J. Robert’s brother Frank, after many years of un-personhood following his youthful membership in the American Communist Party of the 1930s, eventually bounced back and started the Exploratorium in San Francisco.
In a side-by-side comparison, I personally think coming up with a whole new interactive way of teaching is a far more worthy accomplishment than midwifing the hydrogen bomb.
###
Anyway, I really have to shut down all peripheral vision today and just hammer, hammer, hammer at the Remunerative Project.







