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Finished reading American Prometheus.

To do this, I essentially fucked off on all Useful Work yesterday & so am feeling today like The Big Slacker Grasshopper.

But it seemed like a good idea at the time.

###

The Lewis Strauss Senate hearings are only a tiny two-page throwaway in American Prometheus. This underscores how brilliant a writer and filmmaker Nolan can be because it’s the pairing of Oppenheimer’s disastrous administrative hearing with Strauss’s unsuccessful Cabinet bid that gives the film so much of its what-comes-around-goes-around gravitas. It’s a classically beautiful structure that is a part of the factual record but wasn’t a part of the story until Nolan teased it out.

In reality, Strauss’s animosity toward Oppenheimer had to do with the fact that Oppenheimer belittled him publicly for wanting to import radioactive isotopes for medical uses.

Nolan changes the historical record here in a way that’s highly reminiscent of the little tweaks Shakespeare makes in his historical plays: In the film Oppenheimer, Strauss’s animosity toward Oppenheimer exists because of a kind of class envy—Strauss started his career as a shoe salesman rather than as an enfant terrible of an esoteric discipline. Strauss becomes convinced that Oppenheimer made derogatory remarks about him to Albert Einstein and lashes out.

###

I saw Nolan do something of this sort once before with The Prestige (one of my all-time favorite films), which has an ending that’s quite unlike the ending of Christopher Priest’s very fine novel. Both endings are good—but Nolan’s has the edge if you consider denouements as an inevitable form of closure.

It’s a rare creative gift to be able to tell a story better than the original author.

###

Of course, after I finished the book, I had to lose myself down the Internet rabbit hole.

Oppenheimer may have been a pioneering physicist who briefly rose to greatness when history tapped him on the shoulder to lead the Manhattan Project—but he was no hero.

His private life was an absolute disaster.

He was a shit parent, unwilling to step up when his bitchy, alcoholic wife made their offspring’s lives hell. His daughter committed suicide; his son sought out the most obscure life imaginable, not so very far away from where my sister Jeanna lives in New Mexico.

Fun factoid: J. Robert’s brother Frank, after many years of un-personhood following his youthful membership in the American Communist Party of the 1930s, eventually bounced back and started the Exploratorium in San Francisco.

In a side-by-side comparison, I personally think coming up with a whole new interactive way of teaching is a far more worthy accomplishment than midwifing the hydrogen bomb.

###

Anyway, I really have to shut down all peripheral vision today and just hammer, hammer, hammer at the Remunerative Project.
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Dreamed I was a game-maker in some remote future moment. The best way I can describe the games I made is that they were the aural equivalent of jigsaw puzzles, this bewildering set of sounds and notes that the person who played the game had to assemble into a cohesive melody.

I’d traveled to the 21st century to capture the sounds of a rare bird called the Shrewksbury Tewk.

(After I woke up, I immediately looked up “Shrewksbury” and “Tewk.” There are Shrewsburys in Massachusetts and New Jersey, but no Shrewksburys. And what the hell is a Tewk?)

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I ventured forth to deepest, darkest Newburgh to get my fingers printed and my identifying documentation checked.

Newburgh is the epitome of urban blight! Not so very long ago, it was the murder capital of the U.S.

So, naturally, I ❤️ doing my little economic geography walking tours there!

Yesterday’s tour got cut short, though, on account of I was feeling kinda shaky: To catch the right exit to the fingerprinting place, I’d had to cut across four lanes of 70 mph cars in about 100 yards, which terrified me. Plus getting fingerprinted always terrifies me. What if I’d gone on some kind of murder and mayhem spree in a fugue state??? Would the police appear to drag me away by my hair?

Newburgh is actually one of the most architecturally and historically significant cities in the U.S. although you would not necessarily see that if you weren't specifically looking for it.

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It was here that Washington and the Continental Army camped out for a year and a half, while England took its time signing the armistice. And in the 19th century, Newburgh was a boomtown, a manufacturing and transportation hub. The gambrel-roofed mansions of its robber barons were all designed by Calvin Vaux and homeboy Andrew Jackson Downing.

Alas! In the 1960s, Newburgh tried to deal with the decline of its manufacturing base with massive urban renewal projects that knocked down a lot of the beautiful, historic buildings. That and proximity to the great crack cocaine superhighway, Interstate 87, sealed the city’s doom.

Downing Park is still very pretty. And, of course, there’s Washington’s headquarters, completely deserted now that schools are closed so reluctant schoolchildren can’t be dragged there.

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Came home. Finished rereading River Under the Road—which is a good book that suffered from covering much the same territory as Fates and Furies, a better book, published in the same year.

River is structured as a series of parties, given and attended over a span of maybe 25 years. For the most part, Scott Spencer pulls it off—no mean feat ‘cause lemme tell you: Parties are very hard to write; you have to capture the buzz but, at the same time, advance the storyline, so the weird little incidents that capture your authorial imagination must be tailored to supply fresh info about the protagonists. You’re writing on two levels at the same time, in other words.

Started reading Christopher Priest’s The Separation. Christopher Priest is one of my favorite writers. Yeah, yeah, yeah, The Prestige, which has the best unreliable narrator ev-ah! and is so, so brilliant! But also The Glamour, an early novel that’s deeply strange and perturbing, and that hardly anyone has ever heard of.

The Glamour deals with invisibility. In something of the same way that The City and the City deals with invisibility, though in The Glamour, that invisibility is far more… nightmarish.

Anyway, I stayed up reading far too late, so must devote today to revenue generation ‘cause those cat toys and turmeric supplements? They don't pay for themselves!
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The other thing noteworthy about the T-burg trip is that the last contrails of the old mental telepathy are gone.

That was actually why I first noticed him. He was never much to look at.

But we stood side by side in that elevator my first afternoon in Seattle, and every word out of his mouth was exactly what I’d been thinking. The phenomenon intensified and persisted over 20 years.

That was why it was so hard to let go.

Reciprocal, he said.

But now when I interrupt him – and I interrupt people a lot; my natural high spirits and V8 thought processes – he makes a face and tells me, “That’s not what I was going to say.”

So freedom for me inside my own head.

The inner dialogue becomes an inner monologue.

It feels a bit strange.

Not bad.

But strange. Drafty.

Because, really, what good are thoughts if someone else isn’t thinking them too?

###

The mental telepathy thing was never on me. It was all him. And, of course, it’s something that sociopaths and con men are extremely good at. He was always a lousy con man, though. Or maybe because the spigot piped both ways, I always knew when he was trying to con me, at least with one part of my mind although the part of my mind that loved him remained in complete denial.

Once, I said to him, “Well, it doesn’t come from me. I can’t do this with other people. And I’ve seen you do it with other people. Is it always women?”

He raised his eyebrows. “No,” he said softly. “Sometimes it’s men.”

“And is it… Do you target people?”

“No,” he said. “It’s random.”

There is a certain malleability associated with it, and he disliked that malleability. As though that… tendency, talent, whatever you want to call it... was a propensity toward something destructive like alcoholism.

I saw him do the changeling enchantment thing to the awful Jayne, but I haven’t seen him do it since.
Could be that he clamped down on it after he almost died and recovered.

Still.

If you had serious bank riding on a bet about something whose outcome you knew absolutely nothing about, whose outcome nobody could predict, you’d be smart to ask him about his hunch.

###

Anyway. A Christopher Priest novel.

And speaking of Christopher Priest – the most interesting thing about Stranger Things is probably the fact that the showrunners are a pair of identical twins. Shades of The Prestige!
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This photo reminds me of An Infinite Summer, a beautiful, beautiful short story by the Brit novelist Christopher Priest in which – for no apparent reason - characters are frozen into tableaux, which only some of the characters can see.

Look at the three of us! Aren’t we beautiful? And we will remain preserved inside this timeless moment for always, the older woman, the two beautiful faun-like children, the sun setting at just the right angle to enhalo the girl and the boy in unearthly radiance. Us. Forever.

###

Also in T-burg, I passed a sign on a back country road crudely lettered, Colonial Encampment.

Naturally, I had to investigate.

I drove three miles along this deeply rutted dirt road (extremely grateful for my new tires and new suspension system) and found myself in this camp where between 50 and a hundred men, women and children dressed in 18th century clothing were running around on top of this hillside pretending to be European settlers. It was pretty cool! They were having some kind of musket fire-off in the nearby forest. The fog swirled; the woods echoed. Neat!

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Then I sped off to Ithaca where I watched a simulcast of the National Theater’s newish production of J.M. Barrie’s Peter Pan.

The real Peter Pan has naught to do with the bowdlerized Disney version but instead is a deeply weird piece of fancy filled with archetypes and profound anthropological insights into the land of childhood imagination – although now that harried parents are thrusting iPads into their two-year-olds’ hands, I suppose children no longer have imaginations: They’re just one more demographic to market to.

I first read Barrie’s novelization of the play – Peter Pan and Wendy – when I was five years old or so, and the book has stayed with me:

Mrs. Darling first heard of Peter when she was tidying up her children’s minds. It is the nightly custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can’t) you would see your own mother doing this, and you would find it very interesting to watch her. It is quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on earth you had picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek as if it were as nice as a kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind and on the top, beautifully aired, are spread out your prettier thoughts, ready for you to put on.

This, my friends, is a deeply, deeply creepy image.

… and thus it will go on, so long as children are gay and innocent and heartless.

Which means the cycle stops tomorrow since children whose parents let electronic devices tell them stories are merely consumers-in-training who will grow up to be deeply dull little conformists.

Which I suppose is good for collective intelligence.

But not for art.

The casting in this production was especially interesting. In nearly every production ever performed of this play, Captain Hook is essayed by the same actor who plays George Darling, the children’s father. (This tradition harkens back to Gerald du Maurier who starred in the very first production of Peter Pan. Du Maurier was the father of the novelist Daphne – herself no stranger to deeply weird fiction – as well as the uncle of the boys who inspired Barrie to write the play.)

In this production, Captain Hook is played by the woman who plays Mary Darling, the children’s mother.

In full pirate drag, she is ghoulish:

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On the drive home, I finished listening to the audio book of Fates and Furies. Yes, yes – I read the book. But I wanted to figure out exactly how Lauren Groff managed to achieve the effects she achieved, and listening to the words somehow gives me a better handle on that.

###

Got home, went off and tutored Samir.

When I got home from tutoring Samir, Max called from Alaska.

“It must be getting darker there earlier now,” I said.

“Yeah,” Max said. “Gets dark around midnight.”

“Wow!” I said.

“When I first got here” – June – “it was light pretty near 24 hours a day,” Max said. “I mean, yeah. Degrees of light. Dusk. Twilight. But light.”

Max will be returning from Anchorage to Berkeley in 10 days. Nathan asked Max to be his best man, so that means Max will be returning to the East Coast for the wedding – which I think is supposed to take place in New Haven some time around Christmas. (Yay!)

“You should come!” he said.

“I think most properly that invitation is supposed to come from Nathan,” I said.

Also Max is considering applying to UCB’s public policy school when he graduates from law school. My alma mater!

“Since public policy in the criminal sector is what I’m specifically interested in,” he said.

“It’s the second best public policy school in the nation!” I cried.

“Nope. It’s the best,” he told me.

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To say this is my least favorite time of the year is something of an understatement although I try, try, try not to get too bogged down in negativity. Thus, as I was slogging over rainy roads yesterday, I kept reminding myself: But you LUV Christmas lights! No, really! You do.

Uh – if you say so.

One of the reasons I hate this time of year is because I find it so horribly difficult to motivate myself to do anything. Is it the lack of daylight? Is it that I miss being married? And the coming holiday is all about family togetherness? (Although B and I are in such constant communication that one might say I’ve retained all the best parts of my marriage, minus the sex.)

What happens is that I start thinking algorithmically. As though I’m a Sim! With a list of ordained actions magically grafted on to me by some supernatural intelligence! That I have no personal stake in completing. (Reference being to my all-time favorite video game. And who doesn’t love building a room without exits for their Sims so they can watch those Sims slowly starve to death?)

###

I did absolutely nothing of any significance yesterday except watch Christopher Nolan’s The Prestige for the upteenth time, trying to figure out exactly where this movie goes wrong. Because it’s so close to being a great movie.

The book is a really difficult novel, but then Christopher Priest is a cold, cerebral writer. Brilliant, yes. But not exactly comfort reading.

And I think I finally figured out where the movie goes wrong: It uses Angier as the POV character, whereas the novel focuses on both Angier and Borden as POV characters. The Borden parts of the novel are written in a first person singular that’s filled with inconsistencies, makes absolutely no sense whatsoever until the reader finally realizes – approximately two-thirds of the way through the book – Oh, of course! Borden is two people!

Some of that remains in the movie, and those parts are very well done – those quick subliminal exchanges between Borden and Fallon; Sarah’s observation, “No, today you do not love me” -- but only if you’ve read the novel.

If you haven’t read the novel, they’re too subtle. They fall flat.

The identical twin subplot and the Tesla subplot are equally compelling in the novel, which revolves around them like a planet revolving around a binary star. For reasons of economy, though, the writers had to distill them into one plot when they drafted the screenplay. And it alters the gravity. Makes it less substantial.
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So. Past week has been snow. And work. And snow. And work. And snow.

Did I mention snow?

Snow.

As recently as Thanksgiving it was still in the fifties, but then in the mid-December the Big Freeze hit. White outs on the highways. Roads slick with black ice. “I’m not driving in this,” I told Ben flatly.
He got pissed because it means he has to chauffer me to work and on trips into town, but hey! he’s not working right now, he has the time.

I’m going to have to get over myself sometime during the next month since he leaves for Kelly Miller around the 14th of February, but that’s still a good five weeks off and who knows? Maybe this new-fangled global warming thang I keep reading about will kick in.

I think this summer I move into town. Ithaca’s good about keeping its streets ploughed and brined. An interesting thing about Ithaca is that it has none of those satellite rings of suburban development circling the town that similarly sized population centers elsewhere have. One mile outside the city limits and boom! you’re in rural America. Where the snowplough only operates on alternate Thursdays of months that end in W. Yes, yes, the recession has hit those tiny municipal budgets hard

Anyway, I have been writing a lot although not here, and sadly not on the Book either, picking up tiny copywriting jobs which are woefully underpaying but again, hey! money is money. I figure if I can earn enough through it to make sure Robin has his walking around money – $150/month – and pay for all the dentistry work I need, that will be a major accomplishment. Although right now I am working on paying actual bills: the Cornell job is hourly, not salaried, and Cornell was closed most of the month of December.

Ah, the exciting theme park that is poverty!

Things will get better.

Or they won’t get better.

It’s bad for my ego to realize that I am among the 25% of the population that the United States of America is going to have to shed if it really wants to make an economic recovery, there being no real prospects ahead for heavy tank warfare to oil up the machines of commerce the way there were back in the last Depression. I’m expendable. I’m disposable. As a statistic I don’t matter. Ouch.

On the other hand a good case could be made – both in the Buddhist and geo-political senses – that no one person ever matters.

Anyway, I have cabin fever and I’m a bit lonesome. But I’m not depressed particularly.

Read Christopher Priest’s The Extreme – he is my favorite sci fi writer. I suppose there was nothing particularly original about this book from a speculative fiction point of view, but it’s so well written who cares? Book is a meditation on the old National Enquirer conundrum – Lincoln had a secretary named Kennedy! Kennedy had a secretary named Lincoln! What does it mean? – staged against a virtual reality shooting gallery backdrop.

Also finished a book of Jay McInerney short stories. Some day I’m going to have to investigate the mystical connections between Jay McInerney and F. Scott Fitzgerald – Fitzgerald was married to a woman named Zelda! McInerney played a video game called Zelda! – because I must say they have almost identical styles which is to say they write like angels about the stupidest, most banal, superficial things imaginable.

When I read this passage from McInerney’s story Philomena, the hairs on the back of my neck stood up as they do whenever I hear a particularly beautiful and compelling piece of music:

This was the metropolis as it was meant to be seen, in the flattering aphrodisiac light of eminence, a brilliant republic compounded of wealth, power, accomplishment and beauty. The atmosphere of festive mutual regard extended even to tourists, like Collin, on the happy assumption that their applications for citizenship were pending.

I mean that is just an incredibly wonderful bit of figurative writing.

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