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The UK divorces Europe.

Trump did it, sure, but Republicans just don’t care.

And it only gets worse from here because Pluto/Saturn conjunction in Capricorn.

Time to bury your head in the sand! It’s how the mammals survived the asteroid that took out the dinosaurs, after all.

La, la, la, la, la! I can’t hear you!

###

My head-burying took the form of back-to-back viewings of ancient BBC dramatizations of Daphne DuMaurier’s Rebecca.

I have a thing for Daphne DuMaurier. Her life and personality are utterly fascinating to me, plus I think she was a damn good writer, a brilliant storyteller and a subtle stylist.

Rebecca, as the antimatter Jane Eyre, is particularly fascinating.

I am a total devotee of what I suppose you’d call the Big House genre of English novels. Brideshead (Brideshead Revisited) is my absolute favorite, but Brandham Hall (The Go-Between) is a close second. So, Manderly! Right up my alley.

Of course, the meme of young-girl-swept-off-her-feet-by-man-old-enough-to-be-her-father-or-grandfather (depending on casting) is total anathema by today’s social mores where sexual attraction is strictly segregated by age categories, kind of as though our culture has become one big elementary school.

(I can just imagine all those creepy commenters on ohnotheydidnt going, Ewwwwwww.)

Then there’s Mrs. Danvers and the lesbian subtext.

Most interesting of all, though, is Rebecca herself whom we’re supposed to feel revolted by because she wanted to have an independent sex life and talked trash about the English class system.

Rebecca, to me, seems like an absolute heroine! Every time I reread the book, I am rooting for Rebecca! Burn it down, yes-s-s-s-s! I say on that third-to-the-last page as Maxim and Nameless are driving back from London, and they catch a glimpse of Manderly ablaze reflected on the drifting mists. Fight the power!

I’m actually rather surprised that no one has thought to rewrite Rebecca from Rebecca’s perspective the way Jean Rhys rewrote Jane Eyre from the perspective of the madwoman in the attic in Wide Sargosso Sea. Though I suppose Daphne DuMaurier’s estate would never allow it.

###

I would eliminate the 1940 Alfred Hitchcock film from the Rebecca canon. While a very fine film, it isn’t actually Rebecca at all but a standard Alfred Hitchcock lady-in-distress movie that borrows Rebecca’s status detail.

BBC Dramatization 1 (1994) stumbles on casting. Charles Dance was recruited to play Maxim deWinter, and he is physically wrong for the role being one of those redheads whose collagen degenerated as he aged, which is fine for playing a steely despot in Game of Thrones but not fine for a romantic lead. A very young Emilia Fox plays the second Mrs. deWinter; she is waay too self-possessed for the role. Diana Rigg won a BAFTA for her Mrs. Danvers, and she is Whatever-Happened-to-Baby-Jane levels of insanity. Fun to watch. But not Mrs. Danvers.

Manderly in this version of Rebecca is perfect, though.

BBC Dramatization 2 (1979) is cast perfectly. Jeremy Brett is insanely attractive as Maxim and Joanna David is very, very good, too. (Nameless is actually a hard role to pull off since it must simultaneously capture the audience’s focus while maintaining that sense of What-could-he-possibly-see-in-her? ) And Anna Massey as Mrs. Danvers was a real revelation, utterly brilliant in the role.

This is by far the best version of Rebecca although badly directed and with an awful orchestral soundtrack. Hard to find, though: It only exists in pirated copies of very poor quality on YouTube. But worth tracking down if you’re a Rebecca purist like me-e-e-e-e!

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For me, the most amazing thing about Lou Reed is that he actually managed to qualify for a liver transplant. Figure someone at the HRSA has a secret history as a mosh pit trawler.

I'm not a big fan of Reed's early stuff with the Velvets at all though I like his Edgar Allan Poe tribute album a lot. He was part of a triumvirate of wizened old rock 'n' roll troubadours that also includes Leonard Cohen and Tom Waits. (Them I do like.) In death, he's most instructive as a cautionary tale, how the pyrotechnic sizzle and boom of Youth invariably gives way to the agoraphobia and liver disease of Old Age. It is the blight that man was born for, etcetera, ad nauseam.

My first impulse upon hearing that Lou Reed had croaked was to text B.

I quickly stifled it, though. B suffers from the same liver disease that Lou Reed suffered from. It's a Boomer epidemic: The CDC estimates that something like as many as one out of every 25 Boomers have Hep C. When last I spoke to B about his liver, it was operating at around 35%. He was supposed to start either interferon or some other miracle drug regimen in August, but was clearly uncomfortable discussing it -- which is to his credit: Most people with chronic, incurable diseases have a hard time talking about anything other than their chronic, incurable diseases. It's sort of like their world shrinks to the perimeter of their immune systems.

First thing I did after B was diagnosed was to rush out and get myself tested. I'm clean.

I think I passed Lou and Laurie on a NYC street not so very long ago. He was very short, which came as kind of a shock because I always think of subjects that inspire that kind of photographic iconography as tal-l-l-l... Probably because I worked around models for so long.

Lou Reed's death came at the end of a reflective weekend. I crammed a lot of social stuff into last week, which was unusual for me. I have major intimacy issues though -- you didn't know? --so coming home on the train from ___________, I could feel myself growing more and more depressed. I watched rural horse country morph into the suburbs, and the suburbs morph into Bronx urban blight, through the windows of the train. It was like time lapse photography. I felt my own insignificance -- purple speck of coral on a pink and cream coral reef -- and that insignificance oppressed me. I won't need a liver transplant, but I'll die nonetheless, probably in some drab hospital room tended by people who won't love me.

I chased these cheerful thoughts away by hanging out with Rutger. He's very talkative -- trills and meows more than any other cat I've ever known. And also by rereading my favorite Edgar Eager books, Half Magic and The Time Garden, and a bad historical novel (Penmarric), and by watching Hitchcock's Rebecca.

Rebecca really needs someone to do for it what Jean Rhys's The Wide Sargasso Sea did for Jane Eyre. In terms of modern culture, Rebecca de Winter is an entirely sympathetic heroine, a free spirit dragooned into marriage to an awful chauvinist pig, and wistfully trying to work out a compromise that would allow her to have a life but at the same time fulfill her responsibilities. And she gets murdered for it. One senses Hitchcock would have been on board for that, but the stipulations of the Hayes Code would never have allowed it.

I'm going up to Syracuse this weekend to visit RTT. It's Parents Day weekend at Syracuse University! "Maybe they'll organize a tour of Lou Reed's dorm room for visiting parents!" said B, but that's the only thing he said about Lou Reed.

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