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David Geffen listens to Tosca in his $54 million Manhattan penthouse.

Well, no – he doesn't.

I mean – maybe he does. How would I know? Have you seen the photographs of that $54 million Manhattan penthouse? Can you imagine listening to Free Man In Paris in that $54 million Manhattan penthouse? Does anybody but my aging Boomer cohorts listen to Joni Mitchell anymore?

I mean, Joni Mitchell = Major Cultural Referent: Check.

But what cultural referents survive ten years anymore, let alone 40?

What life is there for any art beyond the immediate moment when it succeeds or fails, if you can't commodify it into an investment?

David Geffen knew a lot about the commodification process.

You may disapprove of commodification. But, you see, commodification is the only way art survives…

###


PBS airs an extraordinary series called American Masters, which consists of biographical documentaries mostly about artists, writers and musicians. I've watched three so far – Woody Allen, Gore Vidal and David Geffen.

Woody Allen is not particularly interesting for his cinematic body of work, but is interesting for his career arc, his utilitarian and evidently joyless approach to directing, and his financing mechanisms. That most fascinating last is unfortunately not delved into in nearly as much detail as I would have liked since the director of the documentary seemed mostly interested in justifying Allen's relationship with Soon Yi. I understand that as a legitimate choice: After he's dead, nobody will care about Woody Allen movies, but he will live on in pop culture history as the man who complicated Mia Farrow's Thanksgiving.

I've had a crush on Gore Vidal for most of my adult life. Sadly, the crush went unrequited, and now he's dead. Besides being one of the most elegant writers of English prose ever born, Gore Vidal had some awfully interesting theories about history. Sadly, I think he too will be mostly forgotten within five to ten years.

I'm not sure that anybody will remember David Geffen either, but that's okay – David Geffen was never about tagging the universe with his own signature line of spray paints. David Geffen is a businessman, not an artist, which makes his inclusion as a subject in this series somewhat mystifying at first glance.

But here's the thing about David Geffen: Unlike most businessmen, he realized early on that influence is way more important than power.

That's the secret behind the whole networking cliché, of course.

But Geffen got it about 30 years before networking became a buzzword.

Geffen didn't flaunt his power. Instead, he wielded power on behalf of influence. He rather methodically went about generating influence until he was in a position to shift the zeitgeist.

Zeitgeist is one of those $500 words that are actually quite useful. If you think of all of human culture as a huge coral reef – my favorite metaphor right now – then the zeitgeist is those unusually shaped and colored corals that jut out from the skeletal mass of billions of tiny dead things.

I think a lot about the zeitgeist these days.

The woman whose birthday party I attended last weekend is 20 years younger than me. She'd put together a 6 hour loop of her favorite music videos that ran in the background throughout the entire party, and in between bantering way too loudly, I watched those videos the way you always watch stuff when you're stoned – with complete intellectual absorption. Some of them were really cool, and I am now a huge Lady Gaga fan! But those endless forelocked, mascaraed boy bands from the 80s. I mean: UGH.

"Oh, yeah," said the Birthday Girl. "Crowded House. Belle and Sebastian. They were my favorites. I was so in love with them."

I'm so-o-o glad she said that when she said that because I was just about to make an overly loud comment about talentless hacks.

I can guarantee you that Crowded House and Belle and Sebastian are not and never were part of the zeitgeist.

Some of the artists Geffen worked with, though… Geffen just had – maybe still has, I dunno, though he seems to have moved out of the pop culture kingmaker bizz – an uncanny sense of what makes pop culture glitter deep in the recesses of the human psyche.

###


Here's something you probably don't know about David Geffen: He's entirely responsible for the Presidency of Barrack Obama.

Seriously.

In fact, that's probably his biggest contribution to the zeitgeist.

If David Geffen hadn't very publicly and humiliatingly withdrawn his support from Hillary Clinton at the beginning of 2008, she would have been the 44th President of the United States. Not a doubt in my mind.

###


I listened to Tosca last night. It made the hairs on the back of my neck stand up, exactly the way the hairs on the back of my neck stood up the first time I heard Laura Nyro's Eli's Coming. She was a David Geffen discovery who for one reason or another, he just couldn't spin into gold. Yes, yes, brilliant singer/songwriter. But we're talking about the structure of that coral reef here, not precious metals sunken under 20 feet of ocean bottom mud.

I wanted to reach through across that fourth wall and tell him, Psst – David! You'd really like Puccini!!!

But, uh, you know. It's only 25 miles from Long Gisland to a $54 million Manhattan penthouse but it's a distance that cannot be negotiated.

Date: 2012-11-24 01:11 am (UTC)
From: [identity profile] robby.livejournal.com
Hey, we watch the same tv shows. How about Cher, turning him straight for 18 months, until she fell for Greg Allman?

Date: 2012-11-24 08:11 am (UTC)
From: (Anonymous)
David was just confused.

He thought he was dating a male Cher impersonator the whole time.

Date: 2012-11-24 01:49 pm (UTC)
From: [identity profile] mallorys-camera.livejournal.com
Well, in fact, Geffen made the rare self-deprecating comment while he was being interviewed about Cher. Something to the effect of what fag wasn't in love with Cher?

The guy knows himself pretty well.

Date: 2012-11-24 01:52 pm (UTC)
From: [identity profile] mallorys-camera.livejournal.com
Well, of course, I don't think anyone is straight or gay. I think people have various sexual fetishes, some related to specific brands of genitalia, some not, and gravitate to the people who share them, particularly as they get older.

But not always.

And then there's love, which has nothing to do with sex though it expresses itself sexually when conditions are right...

Geffen's career arc is really fascinating to me.

Date: 2012-11-25 02:34 am (UTC)
From: [identity profile] robby.livejournal.com
In the heterosexual world, you want someone to complement your genital fixation, not share it! is this what you've been doing wrong?

Date: 2012-11-25 02:25 pm (UTC)
From: [identity profile] mallorys-camera.livejournal.com
I haven't been doing anything wrong to my knowledge. :-) I just don't believe in binary choices -- in sex or in anything else.

Date: 2012-11-25 05:27 am (UTC)
From: [identity profile] ccjohn.livejournal.com
I love Free Man In Paris. It's my favorite Joni song. But I don't like David Geffen. His success is obvious but access, building social networks by kissing ass I think you lose yourself if you're not careful.

Date: 2012-11-25 02:24 pm (UTC)
From: [identity profile] mallorys-camera.livejournal.com
I don't think Geffen did build access by "kissing ass," actually. I think he just predated the current "networked" style of doing business -- which, if you think about it, is merely a variation on the Olde Boyz Network model that's been around for ages.

Date: 2012-11-26 12:51 am (UTC)
From: [identity profile] ccjohn.livejournal.com
Yeah. I have an idealism that has no long place in the world. The opportunities of seeing how things work, matching yourself to that. What if you saw that and gave it up. Hoping there might be some other person, who'd know why you had to: because there is something more.

People are more comfortable with appearances. I like to interfere with that. Appearances sell human beings short. I see a lot of withdrawn, scared people now forced to play at appearances. I hate it.

Date: 2012-11-26 08:45 pm (UTC)
From: [identity profile] mallorys-camera.livejournal.com
Well. I think fragile people need external support. And then there are the people who just like to play with appearances.

Date: 2012-11-25 11:49 pm (UTC)
From: [identity profile] nokomisjeff.livejournal.com
Zeitgeist, a word and concept that's been on my mind a lot lately

Date: 2012-11-26 08:43 pm (UTC)
From: [identity profile] mallorys-camera.livejournal.com
And what conclusions have you come to about zeitgeist?

Date: 2012-11-26 04:35 am (UTC)
From: [identity profile] fasterpussycat.livejournal.com
oh, Tosca!
Tosca!

Date: 2012-11-26 08:44 pm (UTC)
From: [identity profile] mallorys-camera.livejournal.com
I've been listening to a lot of opera recently.

Date: 2012-11-26 10:34 pm (UTC)
From: [identity profile] chezsci.livejournal.com
I love American Masters. I'm hoping to see a bio about Ahmet Ertegun, founder of Atlantic records and svengali to the likes of Aretha Franklin, Ray Charles, Led Zeppelin, Crosby, Stills Nash and Young and Genesis. He was sort of the East Coast Yin to Geffen's West Coast...er...yang.

Date: 2012-11-27 01:43 pm (UTC)
From: [identity profile] mallorys-camera.livejournal.com
Yeah, American Masters is a great series even when I'm Meh about the subject matter.

Like I watched one about Johnnie Carson the other night. Do I care about Johnnie Carson? Did I ever get why people would be watching late night TV before they went to sleep, instead of reading a novel in bed? I did not. But the Carson bio was still fascinating as a slice of culture.
Edited Date: 2012-11-27 01:43 pm (UTC)

Date: 2012-12-03 04:13 am (UTC)
From: [identity profile] fasterpussycat.livejournal.com
The first time I saw/heard Lady Gaga was in France on vacation and I thought wow, yeah, I dig it. There's something about her for sure

Date: 2012-12-03 03:43 pm (UTC)
From: [identity profile] mallorys-camera.livejournal.com
She just gets it in a big way. I'm enormously impressed by her!!!!

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